The Photograph is an enjoyable enough love story, and sweet enough to indulge in during a holiday dedicated to candy hearts.
The whole thing is completely nonsensical, even by the standards of what one might reasonably expect from a Fantasy Island movie.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
Chaz Ebert reveals her Top Ten (PLUS) Films of 2019.
An article about three IndieCollect restorations—"F.T.A.", "Nationtime-Gary" and "The Story of a Three-Day Pass"—having their world premiere at this weekend's HFPA Restoration Summit.
Scout Tafoya celebrates William Lustig's Vigilante in his latest video essay about maligned masterpieces.
Theo Angelopoulos’ Landscape in the Mist is a work of art that comes from the feelings, the dreams, the sorrows, and the flashes of life…
Far Flung Correspondent Seongyong Cho pens a letter to Roger about Michael Apted's 63 Up.
A TV review of AMC's Better Call Saul.
A special edition of Thumbnails highlighting articles about our writers at RogerEbert.com.
Me, Natalie (1969)
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From a screenplay by
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
