Cannes 2026: The Black Ball, Bitter Christmas
On two Spanish melodramas from this year’s Cannes, including one of the best of the fest.
On two Spanish melodramas from this year’s Cannes, including one of the best of the fest.
On three pictures that highlighted Cannes Critics’ Week sidebar.
Jason Gorber reflects on his time at the fest so far.
Refreshingly more than just “Elder Things.”
Ira Sachs and Rami Malek come to Cannes.
A first of two dispatches on this year’s animated offerings at Cannes, including an excellent new film from a Pixar vet.
On new films from major directors, including a potential candidate for this year’s Palme d’Or.
The star power in the series is undeniable, but the true hero of the show is its craft.
On two from Cannes Competition, featuring world-famous actresses.
Our Managing Editor on three hotly-discussed films at the fest, and a Cannes flashback.
On two powerful Queer films from Cannes by actors-turned-directors, including the fest breakout hit just bought by A24.
Longtime correspondent Ben Kenigsberg discusses the latest from two Cannes-favorite auteurs.
The director talks about capturing “magic parts,” deploying unique textures, and the role of art and the artist in a capitalist world.
This year’s Ebert Fellows attended the True/False Film Festival, one of the most essential non-fiction cinema events of the year. Here are their reports.
The kids are not really alright in three dramas from Cannes, two of which are worth seeking out.
In this video dispatch, Scott Dummler interviews correspondent Zachary Lee about some of his highlights from the fest, from “Karma” to a restoration screening of Ken Russell’s “The Devils.”
On two very different Cannes offerings, including one by Steven Soderbergh.
On two very different Competition titles from this year’s Cannes: New works from James Gray and Hirokazu Kore-eda.
On three films from this year’s Competition slate about bad parents.