More than Mutual Attraction: On “Our Love Story”
Far flung correspondent Seongyong Cho writes about a warm contemporary romance drama from South Korea.
Far flung correspondent Seongyong Cho writes about a warm contemporary romance drama from South Korea.
A review of the Stephen King adaptation, “Mr. Mercedes,” starring Brendan Gleeson and Harry Treadaway.
An essay about Tim Burton’s “Big Fish” from the August 2017 edition of online magazine Bright Wall/Dark Room.
An interview with co-directors Sabaah Folayan and Damon Davis about their essential documentary, “Whose Streets?”
In 2017, Asians and Asian Americans and, indeed, all minorities, need to be more than local color or types who can be easily replaced.
A piece on the structure of Dunkirk and how it impacts storytelling.
Brian Doan celebrates a James Bond classic.
An interview with the film subjects of the new documentary “Step” about their passion for stepping and education.
An in-depth look at an ambitious retrospective at NYC’s Film Society of Lincoln Center that celebrates one of cinema’s greatest years.
As much as Matt can say about “Baby Driver” in 30 minutes at the keyboard.
A celebration of the late Sam Shepard’s Oscar-nominated performance as Chuck Yeager in “The Right Stuff.”
An interview with director Amanda Lipitz about her documentary, “Step.”
A preview of this year’s Black Harvest Film Festival in Chicago.
A report from San Diego Comic-Con on sneak peeks at two Netflix original films, “Death Note” and “Bright.”
This dance-based, protest music video/documentary/spoken word hybrid gives voice to those who often have to do the explaining because of their experiences
An article about Jackson Murphy’s LCJ Chairathon 2017 scheduled for Tuesday, August 8th.
The directors of the global warming documentary talk about their new film, the ever-renewable energy of Al Gore and more.
The great playwright and screen actor leaves behind a legacy of introspective, fascinating work, much of it having to do with America’s self-image.
Scout Tafoya’s video essay series about maligned masterworks continues with a celebration of the late George Romero and Survival of the Dead.