“I’m Not Special”: Lulu Wang Serves Cocktails Garnished with Industry Truths and Filmmaking Advice at Behind-The-Bar Q&A
A report on an unusual event in Los Angeles with the director of The Farewell, Lulu Wang.
A report on an unusual event in Los Angeles with the director of The Farewell, Lulu Wang.
An interview with Benh Zeitlin, director/co-writer of “Wendy.”
A personal piece on the impact of Twitter bullying reflected through the behavior of a director.
A review of the new Netflix crime series about the death of Gabriel Fernandez.
An interview with the director and star of Premature.
The latest on streaming and Blu-ray, including 21 Bridges, A Beautiful Day in the Neighborhood, and a Criterion edition of Roma.
An article announcing the opening and closing night films for Ebertfest 2020.
A TV review of Amazon Prime’s Hunters, from executive producer Jordan Peele.
An article about the launching of The HistoryMakers’ WomanMakers Initiative.
An essay about the 2018 film Book Club, as excerpted from the latest edition of BW/DR.
A TV review of AMC’s Better Call Saul.
An article about three IndieCollect restorations—”F.T.A.”, “Nationtime-Gary” and “The Story of a Three-Day Pass”—having their world premiere at this weekend’s HFPA Restoration Summit.
A TV review of Hulu’s High Fidelity.
An interview with Luis Miranda and director John James about Siempre, Luis.
A review of the new Epix mini-series loosely based on the H.G. Wells classic.
An interview with the director of the luminous Portrait of a Lady on Fire.
A look at five Spike Lee ’90s films just released on Blu-ray.
A review of the new Hulu series Utopia Falls, which premieres on February 14.
A report from the press room at the 2020 Academy Awards.