Apple TV’s “For All Mankind” Takes Bold New Leaps in Space and Scope in Its Fifth Season
A testament to humanity’s dogged desire to better itself.
A testament to humanity’s dogged desire to better itself.
The editors of the sci-fi thriller talk about the logistics of handling an entire story told on VFX screens.
It’s still an effectively grisly and beautifully mounted effort, with superb performances from the ensemble cast.
Its restrictive character writing and dull, self-contained storytelling result in a middling, slow-building season.
The final films for Ebertfest2026 include Chili Finger, Bob Trevino Likes It, Get Out, and more.
On three films emblematic of the prototypical SXSW film, for all the good and ill that entails.
On three docs tackling everything from young mothers to tall buildings to male insecurity from this year’s fest.
On three wacky rides through late-stage capitalism from this year’s festival.
A final dispatch on three comedies from SXSW, two of which are worth putting on your watchlist.
On three more genre flicks from a horror-heavy SXSW this year.
Surely an IP as important as The Bible deserves a higher budget.
Manages to pull off the impossible feat of making lightning strike twice.
The screenwriter talks about adapting Andy Weir’s novel for the screen, and the challenge of writing dialogue for smart characters.
Undeniably one of the funniest and most electrifying shows of the year.
Lisa Kudrow returns to HBO as the attention-hungry Valerie Cherish in a hilariously bleak depiction of contemporary Hollywood.
The existential dread is thick at SXSW this year.
On three SXSW docs, including one of the best of the fest.
On three of many violent films at this year’s SXSW, including two standouts.
Despite some minor pitfalls in its pacing, the latest season of “Invincible” reaches an undeniable series high..