In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance
It’s rock-solid, gripping television with multi-generational appeal.
It’s rock-solid, gripping television with multi-generational appeal.
The director and star of A24’s atmospheric horror film talk fear, faith, and turning the filmmaker’s family home into a haunted house.
A preview of the SXSW Film Festival, which starts today!
Our picks for what will win, should win, and should have nominated for this year’s Academy Awards.
I’d be willing to make the time investment, but the payoffs should start coming early and often.
On three films that stirred us at Columbia, Missouri’s annual film festival.
Plays it too safe, sheltering its protagonist and stifling any sense of intrigue she could offer.
It’s goofy, knowingly strange, and wears its heart on its sentimental sleeve, and that’s enough to put some wind in its sails.
An interview with the director of the evocative short film about a woman struggling against America’s healthcare system.
Ryan Coogler should win the Oscar on Sunday. Here’s why.
The Black women-led organization announces their lineup and programming for this year’s summit.
A quick review of a wonderful coffee table book about Martin Scorsese’s work.
A personal tribute to a great actor, a great friend, and a gentle giant of a man.
Remember when Anna Faris was fearless?
How Kleber Mendonça Filho’s film positions archival, art, and preservation as tools of resistance.
An interview with an author about the use of lobby cards through film history.
What happened in Hollywood seven decades ago?
A new examination of the “montrous-feminine.”
Despite strong performances, Bill Lawrence’s latest is too detached from reality for its own good.