Cannes 2026: The Birthday Party, When the Night Falls
On two more Cannes dramas, including one of the fest’s last Competition titles.
On two more Cannes dramas, including one of the fest’s last Competition titles.
On two docs from Cannes about filmmaking legends: Bruce Dern and Sir David Lean.
On three standouts from this year’s Director’s Fortnight.
On three of Marya E. Gates’ favorite films to come out of the fest.
It won’t be the same size hit as “Big Mouth,’ but it’s a reminder of the talent of its remarkable cast.
On three more films in competition at this year’s Cannes.
On two Spanish melodramas from this year’s Cannes, including one of the best of the fest.
On three pictures that highlighted Cannes Critics’ Week sidebar.
Jason Gorber reflects on his time at the fest so far.
Refreshingly more than just “Elder Things.”
Ira Sachs and Rami Malek come to Cannes.
A first of two dispatches on this year’s animated offerings at Cannes, including an excellent new film from a Pixar vet.
On new films from major directors, including a potential candidate for this year’s Palme d’Or.
The star power in the series is undeniable, but the true hero of the show is its craft.
On two from Cannes Competition, featuring world-famous actresses.
Our Managing Editor on three hotly-discussed films at the fest, and a Cannes flashback.
On two powerful Queer films from Cannes by actors-turned-directors, including the fest breakout hit just bought by A24.
Longtime correspondent Ben Kenigsberg discusses the latest from two Cannes-favorite auteurs.
The director talks about capturing “magic parts,” deploying unique textures, and the role of art and the artist in a capitalist world.