American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
Waking into a nightmare.
From Brad Damare, New Orleans, LA:
"Dawn of the Dead" (1979) opens with an close-up of one of the lead characters, asleep against a blood-red carpeted wall. She seems both alone and surrounded by the red -- an echo of what will be the film's finale, in which she has to escape the mall rooftop alone, possibly alone in the world. But Romero jump-cuts with something of a joke: She's only dreaming, and she's actually in a room full of people. But that room full of people is in full-panic mode: She's awakened from one nightmare into another.
JE: Thanks, Brad, for mentioning one of my all-time favorite horror movies. It's like she's in a red-shag womb, about to be born into a world that's worse than anything she could have dreamed. That jump-cut happens as she cries out, waking herself up -- and at the same instant a man pops into the frame and grabs her: "Are you alright? The shit's really hitting the fan." And the zombie head is really hitting the helicopter blades... A TV station colleage, watching a debate on a monitor ("We don't know that," says a man on the screen. "We gotta operate on what we do know!"), observes: "Still dreaming..."
At the ripe age of 89, Oscar can still be a notoriously picky fellow when it comes to what constitutes a contender fo...
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.