In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_poltergeist

Poltergeist

Rarely has a remake felt more contractually obligated than the 2015 version of Poltergeist.

Thumb_jrz5dbcqdqtrdfxq1yhmdcqy6yd

Sunshine Superman

I found Jean Boenish’s philosophical musings less than persuasive. And I don’t think my fear of heights was the reason for my bias.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Cannes Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Opening Shots: 'Altered States'

altered2.jpg


altered3.jpg


altered5.jpg


"Altered States" opens with the image of a fluorescent, egglike shape surrounded by darkness. It is a window. From below, in comes a floating human figure (William Hurt as Prof. Eddie Jessup), who appears to be immersed in liquid. Surrounded as he is by the dark oval frame of the window, he resembles an embryo inside a mother's womb. The camera slowly tracks back to reveal that Jessup is inside a horizontal tank in an empty room. As it tracks back even further, the viewer detects the edges of a second window, rectangular this time. In front of that window sits a bearded scientist in a laboratorium, who carefully monitors the room with the tank holding Eddie Jessup.

In the film, science tries to discover the essence of the Self by use of altered states of consciousness. The opening shot prepares the audience for this very process by taking the viewer through different layers/windows of counsciousness: from the symbolic birth of the Self, via self-awareness, to self-examination; from subjectivity to objectivity. The soundtrack amplifies this trajectory, going from bubbly water effects and steady breathing through an oxygen mask, to the buzz of lab equipment and clicking of buttons.

Peter Gelderblom, founder / contributing editor at www.24LiesASecond.com

JE: Beautifully done, Peter! I love the use of sound in this shot, too: From the very first moments you have this feeling of being immersed in an individual's interior consciousness -- which is where the drama of the movie really plays out.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Video games can never be art

Having once made the statement above, I have declined all opportunities to ...

Bill Murray, iPhones and Our One-Handed Species

An essay on how technology has rendered us a one-handed species.

"2001" -- The Monolith and the Message

Good parables explain themselves. After you have read the story of Lazarus in the Bible, you don't need anyone to exp...

Reveal Comments
comments powered by Disqus