Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white men arguing about race, and "Blue is…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.

Frances Bean Dog.
I'm back from break but hopelessly preoccupied because my eldest dog Frances had a couple lumps on her back foot and I had to take her in early this morning for a surgery/biopsy. This talk of "spindle cells" worries me tremendously, but Frances herself has shown no signs of feeling ill. Because I'm a terrible fretter, this has left a big cloud over the end of my year, and made me even more reluctant than usual to keep in touch with the people I care about. Because, basically, I get paralyzed with worry and just want to get into the fetal position until the uncertainty and apprehension is over. I know it's idiotic. I went through the same thing worrying about Roger Ebert's recovery last summer, and am so happy that he's come through and working his way back (even doing occasional reviews when he can).
Plunging ahead into 2007...
Best News of the Year So Far: I was thrilled to see the byline of Matt Zoller Seitz in the New York Times this morning as I was blearily trying to wake up before taking Frances to the vet. (It's DARK at 6 a.m. in January in Seattle. Who knew?) Matt is the founder and editor of one of my favorite movie/TV blogs, The House Next Door. I do not miss the Links for the Day. And Matt himself is a terrific writer. His review of "Children of Men" is the best thing I've read about that film, conveying the excitement of watching it as well as the disappointment that it had nowhere to go. (Some thought the ending was brave and open-ended. To me it felt like a mushy sentimental cop-out -- although there was that flashing red buoy light, perhaps [I hope] to remind us, as in the ending of Nicholas Ray's "Bigger Than Life," that this superficial resolution isn't necessarily what it seems to be. I know, I know: How can this ending be considered overly tidy, pat or a form of commercial condescension when so much of the fate of Humankind itself is left at sea? Well, the movie is about particular characters, not the apocalyptic sci-fi world they live in; it's a matter of foreground vs. background...)
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Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white ...
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold arti...
If you go to a yacht party, don't expect to be living out your own version of "The Talented Mr. Ripley."