X-Men: Apocalypse is a confused, bloated, mess of a film.
"Client 9: The Rise and Fall of Elliot Spitzer" is a kind of whodunnit. Spitzer makes formidable enemies in his rise to power as New York Attorney General, stepping in to police Wall Street when the feds refused, and we meet a number of furious financial barons (some convicted, some not) who say they would have done anything in their power to bring down the bullying, egomaniacal Spitzer. In the end, though, Spitzer admits he has no one to blame for his downfall but himself. He patronized a fancy call girl service when he was governor, and resigned when he got caught.
The sad thing is that while Spitzer was a paranoid john, many of his Wall Street enemies were pimps and dealers and capital criminals. Spitzer's crime is puny compared with the ones his opponents have gotten away with -- crimes that have ruined so many lives and nearly destroyed the economy, while still making a mint for themselves.
Separating the artist from the art isn't as easy as it sounds.
This message came to me from a reader named Peter Svensland. He and a fr...
Part two of Jana Monji's essay about the portrayal of Asian characters in cinema.
Reviews from Cannes of Cristian Mungiu's "Graduation" and Nicolas Winding Refn's "The Neon Demon."