In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_zqamxwv5mxkk6w0xulw7pwsteof

Keanu

Keanu is fun, and even sometimes outright hilarious, but it doesn’t live up to the skills of its central performers.

Thumb_large_duksgz4wurypn9yyqplujgsjfrn

Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

In the Cut: Salt action previsualization

Thanks to Joshua Frankel, who worked closely with director Phillip Noyce and stunt coordinator/director Vic Armstrong on the animated storyboards for the sequence I examined in "In the Cut Part II: A Dash of Salt," for sending me his previsualization sequence, above. As he explains on his site:

created previsualization animation for several major sequences in Salt. The film was not based on a book or other pre-existing property and the director, Phillip Noyce, had a lot of freedom to craft the story. Phillip worked with our team in previs to experiment with story options and push every moment in the film to be as unexpected and exciting as possible....

What is previsualization animation?

We build scale versions of the characters and sets inside the computer and create virtual cameras with lenses that match exactly the lenses being used by the cinematographer. I then work with the director to block in the actions, design camera moves and cut together a rough edit. We are able to do quite a bit of experimentation before anyone walks on set. The previs becomes a foundation for the sequence that the director can then build upon throughout the rest of the filmmaking process.

Compare with the sequence in the finished film, below:

You'll notice a number of differences and similarities in the pre- and post-production versions. For one thing, the forking path of the tanker truck is much clearer in the previz, but there's more coverage in the finished film.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

427: Ten years without Jen, twenty-six with

Reflections on a marriage, and what came after.

"The Hateful Eight" vs. "Pulp Fiction": The Devolution of Quentin Tarantino

FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.

A Deeper Look into Sam Mendes' "Spectre"

FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.

Reveal Comments
comments powered by Disqus