In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_lxlekycuhbq08r626lsvo7jtq7y

The Man Who Knew Infinity

An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…

Thumb_large_duksgz4wurypn9yyqplujgsjfrn

Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Primary_femme1r-thumb-510x315-24820

In memory of Claude Chabrol (1930-2010)

In honor of the late Claude Chabrol, one of the great filmmakers of the French New Wave, co-author with Eric Rohmer of the first book on Alfred Hitchcock, maker of moral thrillers and autopsier of the dis-ease of the bourgeoisie ("Les Biches," "La femme infidel," "Le Boucher," "La rupture," "Violette Nozière," "La cérémonie"...), here is my Opening Shot (and closing shot) piece for "La femme infidel:

A fairy-tale home in a wooded setting. Two women sit an an outdoor table in the shade of some tall trees. The camera glides across the lawn silently (we can't hear what they're saying, just barely audible laughter) at an oblique angle that takes us closer to the women, but not directly toward them. A big black trunk passes startlingly across the screen in the foreground. Then a smaller trunk comes into the shot, mid-distance, and nicely frames the image. That's all there is to the opening shot (which lasts less than 10 seconds), but to understand the context we have to consider the rest of the brief pre-titles sequence.

Continued here...

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

427: Ten years without Jen, twenty-six with

Reflections on a marriage, and what came after.

"The Hateful Eight" vs. "Pulp Fiction": The Devolution of Quentin Tarantino

FFC Gerardo Valero discusses the devolution of Quentin Tarantino by comparing The Hateful Eight to Pulp Fiction.

A Deeper Look into Sam Mendes' "Spectre"

FFC Gerardo Valero reexamines the 2015 James Bond film "Spectre" after the dust has settled.

Reveal Comments
comments powered by Disqus