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The Boy Next Door

The Boy Next Door has its share of so-bad-they’re-good moments – and details, and chunks of dialogue – but not nearly enough. Mostly, they’re just…

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Son of a Gun

Avery’s more than capable behind the camera, he just needs to be met halfway by his screenwriting, which dwells in overly familiar territory.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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In context

Two Three observations:

"I couldn't tell if it was a fable or if it was badly written."

-- couple leaving theater in Bruce Eric Kaplan New Yorker cartoon (1/19/09)

* * * *

"I think a record is something to be consumed and to be experienced by tons of people in different ways and in different lights. Context is everything for some people. Context isn't everything for other people."

-- Justin Vernon, aka Bon Iver, on his album "For Emma, Forever Ago," which he recorded during a winter spent living alone in a remote cabin in the Wisconsin woods

* * * *

"Framing is everything. I remember [someone] asked Erland Josephson, who worked with Bergman, 'How did he direct you? What did you do?' And he said, 'He didn't really direct us that much. It was just really where he put the camera.' I think that's true. It's really how, suddenly, the image takes a kind of energy. I'm fascinated by the visual language."

-- Sophie Fiennes, director of "The Pervert's Guide to Cinema"

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