Scarlett Johansson is an intriguing blank in Luc Besson's "Lucy," which is stranded somewhere between a stranger-in-a-strange-land action thriller and apocalyptic science fiction.
Here's Adam Curtis's six-and-a-half-minute documentary segment on how, over the last 50 (75?) years or so, we have become a culture of increasingly paranoid weirdos. (Satirical, too.) It reminded me of "The Power of Nightmares: The Rise of the Politics of Fear" (2004), the essential documentary about the politics that led up to 9/11, and how they continued afterwards. And then I realized why: They're both Adam Curtis films! From the intro to "Power of Nightmares":
In the past, politicians promised to create a better world. They had different ways of achieving this, but their power and authority came from the optimistic visions they offered their people. Those dreams failed and today people have lost faith in ideologies. Increasingly, politicians are seen simply as managers of public life, but now they have discovered a new role that restores their power and authority. Instead of delivering dreams, politicians now promise to protect us: from nightmares. They say that they will rescue us from dreadful dangers that we cannot see and do not understand. And the greatest danger of all is international terrorism, a powerful and sinister network with sleeper cells in countries across the world, a threat that needs to be fought by a War on Terror. But much of this threat is a fantasy, which has been exaggerated and distorted by politicians. It's a dark illusion that has spread unquestioned through governments around the world, the security services and the international media.
"How We Have All Become Richard Nixon" takes it from there...
(tip: Ray Pride)
The first part in a four-part series on what film can teach us about the relationship between Israel and Palestine.
An obituary for the legendary James Garner, who has passed away at the age of 86.
This message came to me from a reader named Peter Svensland. He and a fr...
A report on the atmosphere at the 2014 Jerusalem Film Festival and its best film, "Maidan."