Southbound is a prime example of a horror omnibus film: even the weaker segments have something to recommend them.
When I first saw the green penis right in the middle of the Fifth Anniversary Issue of The New York Times Style Magazine, I wonder who thought they were getting away with something. Then I saw the credit at the bottom of the cover: "Artwork by Jeff Koons." That explains it. (Detail below...)
This message came to me from a reader named Peter Svensland. He and a fr...
A piece on the American experience reflected through four films at the Sundance Film Festival by an Ebert Fellow.
A peculiar film, poised somewhere between satire and dream logic.