In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_hunting_ground

The Hunting Ground

The Hunting Ground could have been a series of disturbing statistics and personal stories, but the directors know that it is the survivors who are…

Thumb_maps_to_the_stars_ver8

Maps to the Stars

David Cronenberg's film of Bruce Wagner's Hollywood satire-nightmare turns ludicrous situations into operatic tragedy.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Blog Archives
Other Articles
Blog Archives
Primary_perceval1-thumb-500x380-16599

Eric Rohmer's Perceval le Gallois: A knight on a soundstage

I just wanted an excuse to publish a frame-grab from one of my favorite Rohmer movies, "Perceval." There's never been anything like it. I once double-billed it with its stylistic opposite, Robert Bresson's earthy "Lancelot du lac" (1974), but I'd also like to show it with a similarly soundstage-stylized biography of innocence, Alain Cavalier's "Thérèse" (1986), about St. Theresa of Lisieux.

"Rohmer's adaptation of Chrétien de Troyes 12th century Arthurian poem is a unique film, combining cinema, theatre, medieval music, iconography, mime and verse to create a stylised and surprisingly coherent spectacle: shot totally in the studio, its sets alone are worth the price of a ticket. But more astonishing, perhaps, is the way in which Rohmer translates the text into a moral investigation which frequently resembles his contemporary comedies as selfish young innocent Perceval, whose very naiveté literally disarms his enemies, undergoes a sentimental education in the codes of Chivalry, Courtship, and Faith. His odyssey is observed with ironic wit and revealing distance; not surprisingly for Rohmer, a key stage in his development occurs when he learns the dangers of talking too much or too little..." -- Geoff Andrew, Time Out

Popular Blog Posts

Notes on watching "Aliens" for the first time again, with a bunch of kids

Captain's log: eight fifth graders, one adult, one James Cameron movie.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Observations of an Awards Season Skeptic, Part 4: Green Card Blues

Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.

Reveal Comments
comments powered by Disqus