In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_h9cs5bxxqprttlmzamcqeaulhqo

Best of Enemies

A rich, extraordinarily fascinating account of the Buckley-Vidal debates that’s sure to have many viewers’ minds constantly shuttling between then and now.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Primary_legendary3-thumb-510x318-24670

"Big men in tights!"

This week in reviews for the Chicago Sun-Times and RogerEbert.com, I was pleased to be able to quote from Joel and Ethan Coen's "Barton Fink" regarding the tradition of the wrestling picture in general and "Legendary" in particular:

Ah, the wrestling picture. In Joel and Ethan Coen's "Barton Fink," a New York playwright is lured to Hollywood (for the cash) and is assigned to write a wrestling movie for Wallace Beery at Capitol Pictures. Audrey, the companion of the great Southern novelist-turned-screenwriter and epic alcoholic Bill Mayhew, explains the formula to Barton:

"Well, usually, they're... simple morality tales. There's a good wrestler, and a bad wrestler whom he confronts at the end. In between, the good wrestler has a love interest or a child he has to protect. Bill would usually make the good wrestler a backwoods type, or a convict. And sometimes, instead of a waif, he'd have the wrestler protecting an idiot manchild. The studio always hated that."

"Legendary" has most of that and lots more (minus the idiot manchild), turned inside out and all twisted up like a pretzel, but just as simple and formulaic. Yet even though this picture stars a real WWE wrestler and was produced by the new WWE Studios, it's not just a wrestling picture. ("Big men in tights!" as another Capitol Pictures executive exclaims.) It's a wrestling tearjerker.

Also reviewed by me: "Soul Kitchen, a goofy comedy by Fatih Akin ("Head-On" (2005), "The Edge of Heaven" (2008)).

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore’s Swamp Thing

A reprint of an article by Greg Carpenter about the Confederate Flag.

Reveal Comments
comments powered by Disqus