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Man of Steel

The title "Man of Steel" tells you what you're in for when you buy a ticket to this immense summer blockbuster: a radical break from…

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Fill the Void

Claustrophobia isn't often considered a cinematic asset beyond tales of suspense and horror. But "Fill the Void," an award-winning Israeli drama about a naive 18-year-old…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Suicide glamour and magazine-shaming; how American textbooks dumb down Vietnam; remembering the late investigative journalist Michael Hastings; why sex on the first date is not…

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Before Midnight Interviews

Katherine Tulich talks to Julie Delpy, Ethan Hawke and Richard Linklater about returning once again to the characters from "Before Sunrise" and "Before Sunset" for…

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Attack of the Giant Amphibian!

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"Run away! Run away!"

From my review of "The Host" on RogerEbert.com:

A horror thriller, a political satire, a dysfunctional family comedy, and a touching melodrama, Bong Joon-ho's "The Host" (2007) is also one helluva monster movie. It's the recombinant offspring of all those science-fiction pictures of the 1950s and '60s in which exposure to atomic radiation (often referred to as both "atomic" and "radiation") or hazardous chemicals (sometimes also radioactive) results in something very large and inhospitable: "Them!" (giant ants), "Tarantula" (giant spider), "Matango: Attack of the Mushroom People" (giant fungi), "The Amazing Colossal Man" (giant bald guy), "The Giant Behemoth" (giant behemoth -- both giant and a behemoth, but more precisely a radioactive ocean-dwelling Godzilla clone), "Frankenstein Conquers the World" (giant Frankenstein's monster atomically regenerated from the beating heart of the original monster after the A-bomb is dropped on Hiroshima), and so on.

In "The Host" (a k a "Gwoemul"), the mutagen is a simple aldehyde, HCHO (possibly even a radioactive variety). The movie opens in the year 2000 at the Yongsan U.S. Army base in Seoul, where an American mortician (the always superb Scott Wilson, clearly having fun) orders a Korean subordinate to dump dusty bottles of "dirty formaldehyde" into the sink ... which empties into the Han River. When the underling objects, the American insists, "The Han River is very... broad, Mr. Kim. Let's try to be broad-minded about this." Had Al Gore been present, he would have made a persuasive counter-argument with colorful charts and graphs about the dangers of poisoning our fragile planet, but an order is an order, so down the drain the noxious stuff goes.

(This scene is based on a notorious incident involving Albert McFarland, an American civilian mortician at the Yongsan military base, who in 2000 ordered his staff to pour 120 liters of formaldehyde into the morgue's plumbing. Although the chemicals passed through two treatment plants before reaching the Han, source of Seoul's drinking water, the scandal sparked an anti-American uproar in South Korea.)

At the movie's center is the Park family, a clan no less eccentric than the Hoovers of "Little Miss Sunshine." (Think "Little Miss Sashimi.")...

The creature -- just like (spoiler warning) the Moroccan kids who accidentally shoot the American employer of the Mexican nanny with the rifle formerly belonging to the Japanese businessman with the deaf daughter who is sexually provocative in "Babel" (end of spoiler warning) -- unknowingly precipitates an international incident. And in the ensuing pandemonium, the Parks are forced to fend for themselves....

Continued at RogerEbert.com...

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