Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Who
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way, and Hirokazu Kore-eda ("Nobody Knows") tells another…
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Los Angeles, CA: Sundance Institute will remember and celebrate journalist and film critic Roger Ebert by honoring him with the Vanguard Leadership Award in Memoriam,…
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dedicated to memories of Roger Ebert, for the simple reason that talking about movies is so thrilling. He did not like lists, but I love…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…
Named after the David Cronenberg film, this is the blog of RogerEbert.com founding editor Jim Emerson, where he has chronicled his enthusiasms and indulged his whims since 2005. Favorite subjects include evidence-based movie criticism, cinematic form and style, comedy, logical reasoning, language, journalism, technology, epistemology and fun. No topic is off-limits, but critical thinking is required.
Here's a spoiler-loaded reading of the Coens' masterpiece from Father Robert Barron, self-described "Catholic Evangelist." I don't know anything about Fr. Barron, but this is certainly a Catholic interpretation -- of the movie, of the book of Job, and of the Jefferson Airplane's "Somebody to Love." Of course, I don't see the movie the way he does (and he doesn't even mention Larry's doctor or Schrödinger's cat or the... dybbuk?), but he does have some interesting ways of looking at it. I do like the way he understands how we reconsider the rabbis' counsel as the movie goes along.
And Fr. Barron makes one simple, important point that I think some people overlook: "No one in the movie disbelieves in God. It's not a question of is there a God or not. But they're trying to discern, what does God want? What is God doing?" That is correct. The film takes place in a world in which God is obviously not dead (although it's set not long after the TIME cover) because these people still believe Hashem is a presence in their lives -- if a somewhat distant one. Instead, God is either silent, indifferent, passive-aggressive, or nonexistent. The question, then, becomes not so much what God wants from these characters as what these characters want from the (unexamined?) vision of God that they cling to, and how are they going to square that faith with the day-to-day world they live in?
What do you think? And let's agree that all comments below are for people who've seen the movie...
Next Article: Avatar and Oscar again raise thequestion: What is cinematography? (Part 1) Previous Article: Who directed this shot?
Asghar Farhadi ("A Separation") returns with another look at unsolvable dilemmas, an erotic thriller goes all the way...
Two very different documentarians, Marcel Ophüls and Clio Barnard, premiere new work at Directors' Fortnight.
Michał Oleszczyk falls for offbeat gay thriller "Stranger by the Lake" and gloriously eccentric essay-film "A Story o...
Barbara Scharres has a few choice words for François Ozon's "Young & Beautiful" and Sofia Coppola's "The Bling Ri...