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Stray Dogs

Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.

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The Skeleton Twins

This movie asks a lot of Wiig and Hader. It asks them to navigate territory that’s both funny and dramatic, light and raw, goofy and…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Stray Dogs

Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.

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A few more revealing angles on the schoolbus getaway

Above, this may be the best view of all: You can see exactly how the camera is mounted for the shot. The set-up is indeed designed to camouflage that there is no actual hole in the "bank wall." I didn't know exactly why it was done this way when I originally saw the movie, but I had a hunch. Again: It's not a debacle, it's not a Crime Against Cinema, it's a directorial (or budget) choice. Take it for what it is. Then again, it's also a failure of imagination. They can do wonders with opticals and CGI these days (see the astonishing, virtually invisible Digital Domain work on "Zodiac"). Watch the "Zodiac" footage. Or build a bigger/deeper add-on set. Why settle for less?

Here you see one full take, and some of the vehicles returning to positions afterward.

After the jump: Better glimpses of the flats used to extend the building and provide the "hole" in the exterior wall of the Gotham bank...

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