In Memoriam 1942 – 2013 “Roger Ebert loved movies.”



Panahi’s latest act of defiance is entirely commendable on a number of levels, but I regret to say that from my own perspective, Taxi is…



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Great Movie Archives

The media made them superstars

"Awake in the Dark: The Best of Roger Ebert," assembles the essential writings of the Chicago Sun-Times film critic in a single volume for the first time. "Awake in the Dark" surveys his 40-year catalog, including reviews, essays and interviews. For the next five weeks we'll publish excerpts here from the collection's highlights in each decade, from the '60s to the '00s. This week: "Bonnie and Clyde" (1967)

"Bonnie and Clyde" is a milestone in the history of American movies, a work of truth and brilliance. It is also pitilessly cruel, filled with sympathy, nauseating, funny, heartbreaking and astonishingly beautiful. If it does not seem that those words should be strung together, perhaps that is because movies do not very often reflect the full range of human life.

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Of Rats and Men: “Black Mass” vs. “The Departed”

A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.

The Unloved, Part 22: "My Soul to Take"

Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".

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