Fast & Furious 6
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel…
Will Michael Douglas take home a Best Actor prize from Cannes for his turn as Liberace in "Behind the Candelabra"?
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Roger Ebert became film critic of the Chicago Sun-Times in 1967. He is the only film critic with a star on Hollywood Walk of Fame and was named honorary life member of the Directors' Guild of America. He won the Lifetime Achievement Award of the Screenwriters' Guild, and honorary degrees from the American Film Institute and the University of Colorado at Boulder.
I should have left the bloody book on the floor. It was past midnight, and I had finished a little light bedtime reading: A thriller by Barbara Vine, a chapter a night. I replaced the bookmark and reached over to put the book on the bedside table. It fell to the floor. That was no big deal.
But no. I was compelled to lean over to pick it up. I am not very nimble these days. I stretched down. I was maybe two inches away. I shifted, and made a real reach. I crashed onto the floor. Yes, dear readers, for the first time in 65 years, I fell out of bed.
My forehead bounced off the table. I landed hard on my side. The table lamp landed on top of me. I was wedged between the bed and the table. I began to slap on the floor. My wife Chaz, who always has an ear out for alarming thumpings, arrived along with Millie Salmon, my care giver. They hauled me back to my feet and I got back into bed, chastened, and said I was feeling fine.
I slept soundly. When I awoke and sat up in bed, I felt incredible pain in my right rib cage, and soreness elsewhere. It hurt too much to stand easily. They took me to see good Doctor Havey, who ordered x-rays, although when the technician asked me to stand next to the plate and breathe in deeply that was an agony.
No broken bones. A "contusion." That can hurt as much as a broken rib, he didn't need to inform me, because I broke a rib once before, in 1967, when a drunk whimsically decided to hit me in O'Rourke's. Havey told me what I already knew: There is no treatment for bruised or broken ribs. You grit your teeth and wait for the healing.
The conditions of my life are precarious. In 2008 I fell and fractured a hip, which led to my fourth stay in the Rehabilitation Institute of Chicago. I began walking again, but my confidence was undermined. I couldn't afford to break another bone. I have arrived at a balancing point between sickness and health, and it is the bargain I live with. I don't take chances.
Havey gave me some pain med. Nothing addictive, I insisted. It helped a little. He said the pain could last as long as six weeks, but it now seems to be subsiding. It is the pain to my peace of mind that continues.
For years we live in innocence. We walk around all day and never give it a moment's thought. For years, every single day in tolerable weather, I woke up around 6:30 and walked for 90 minutes around the Lincoln Park ponds. I wore a pedometer and aimed for 10,000 steps a day. Some days I topped 25,000. I loved it.
Now Chaz asks why I don't wear my pedometer. Its count would be too depressing. These days I can walk about 12 city blocks, although since the fall I've only made it around as far as the block I live on. I realize I've been having a daily reprieve from greater disability.
This cast me into a depression. I felt I was walking on a narrow path with a chasm on either side. I returned to reviewing movies, which as always freed me from myself and occupied my mind. My other work suffered. I lost the drive behind my blog. Not long ago I wrote an entry about the use of CGI animals in movies, and about our general attitudes toward movie cruelty to animals. I finished it, read it, and thought: Meh. Not much of an entry. I posted it, because I thought that was the best I was capable of that day.
What I was avoiding, I realize, was writing about this subject. It is humiliating for an adult to fall out of bed, and still worse if he has done it not by accident but by stupidity. Why didn't I simply sit up in bed and bend over? The fall portrayed me as vulnerable, and I prefer to think of myself as enduring. An entry might seem to be a request for pity, and pity curdles my blood. But this blog has become a venue for my truths, and it wasn't wise to allow this event to continue suppressed.
So there. I've described it, and it belongs to the past. We leave today for the Toronto Film Festival. I will see great movies with great audiences. The Oscar season will open, after a summer of a fair amount of stupidity. The movies, as they always do, will cheer and inspire me. They heal, because they take me into the minds of their creators. Man, am I ready to go to Toronto this year.
Next Article: "Melancholia" descends on Toronto Previous Article: "Ebert Presents:" An update
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