The Hangover Part III
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Better than “The Hangover Part II,” but equally as useless, “The Hangover Part III” plays more like a caper film than an outright comedy. The…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Today the American Pavilion remembered Roger Ebert with a panel and beachfront thumbs-up salute.
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

The failing primary school in "Won't Back Down" succeeds in teaching only seventy percent of its graduates to read. The American public education system seems to be in meltdown, producing high school graduates less literate and numerate than the grade school graduates of a few generations ago."Won't Back Down" blames this failure on teachers' unions and bureaucracy. It embraces a slowly growing movement in which parents vote to take control of their children's own schools, reward gifted teachers, and throw out overpaid, lazy and administrators held in place by seniority. It all sounds so simple--and it is, because the movie makes it simplistic.
In this scenario, based on the proverbial "true story" that isn't even cited in the film's end credits, a heroic working-class mom and a heroic gifted teacher join forces to collect signatures, stage protests and then force a public vote by the school board in which the good guys take over a Pittsburgh grade school. What happens afterward is not very informative; we get one shot of the corridor walls of the new school, papered with student artwork.
Maggie Gyllenhaal stars as Jamie Fitzpatrick, a single mom, auto-dealer secretary and night-shift bartender, whose dyslexic third grader Malia (Emily Alyn Lind) is trapped in the classroom of an entrenched teacher (Nancy Bach), who, by common agreement of her colleagues, is the faculty's most overpaid and badly performing member.
Jamie becomes determined to get Malia switched to the classroom of an inspired teacher, Nona Alberts (Viola Davis), but is blocked by the stonewall attitude of the school principal (Bill Nunn). During a heart to heart with Nona, who has been ground down by the system, Jamie asks, "Do you want to start a school with me?" Not without hesitation, Nona agrees.
This launches a formula effort in which the inspirational Jamie energizes an effective opposition, even though the Viola Davis character would seem better suited to that challenge. That's little surprise in a film where typecasting and color-coding makes it easy to predict which characters are good or bad.
The film adds two unnecessary subplots, one involving a romance between Jamie and the heartthrob teacher Michael (Oscar Isaac), and another about Nona's failing marriage with her husband (Lance Reddick), who texts her to say "This isn't working" and leaves for no apparent reason, other than to be an absent dad for their son (Dante Brown), and then to turn up to hug her at the end.
Rosie Perez is utterly misused as Breena, Nona's best pal at school, and Ving Rhames turns up as the principal of a charter school, who presides over a heartbreaking lottery. Both the lottery scene and the anti-union material seem to be fictionalized versions of material in the powerful documentary "Waiting for Superman," which covered similar material with infinitely greater depth.
Today the American Pavilion remembered Roger Ebert with a panel and beachfront thumbs-up salute.
Robert Redford braves the high seas alone in the shipwreck drama "All Is Lost."
"Only God Forgives" commits the unforgivable sin of being boring, "Muhammad Ali's Greatest Fight" is about old white ...
Marie writes: Now this is really neat. It made TIME's top 25 best blogs for 2012 and with good reason. Behold arti...