It’s exciting to see Shyamalan on such confident footing once more, all these years later.
Shakespeare, "Midsummer Night's Dream" It was the largest floating object ever built by man. The Titanic was as long as three football fields, weighed 46,000 tons and was advertised as unsinkable. "Mother thought," remembers Eva Hart, now an old lady, "to call it unsinkable was flying in the face of the Almighty." She was 7 the night the Titanic struck an iceberg, 83 years ago now. Her father put her in a lifeboat, told her it was a "precautionary measure," and said she would be back on board for breakfast in the morning. She never saw him again - or her little dog, who peers up mournfully at us from old photographs.
The loss of the Titanic remains the worst shipwreck in history, and an unforgettable slap at the pride of man. The great ship rests today 400 miles east of Newfoundland and 2 1/2 miles beneath the ocean surface. For decades, it remained as inaccessible as the moon; indeed, men walked on the moon years before the first TV probes found the wreck of the Titanic. Now it is possible to visit the site, using submarines that can withstand ocean pressure so strong that any leak would cut a body in two.
"Titanica," a documentary feature shot in the IMAX process, is based largely on footage filmed at the Titanic's grave. Seen on the giant, five-story, curving Omnimax screen of the Museum of Science and Industry, it is a sight to inspire awe.
I have seen earlier photography from the Titanic, rather muddy and indistinct, and so I was not quite prepared for the high quality of the photography in "Titanica." Two submersibles were outfitted with IMAX cameras, which use film stock that dwarfs conventional movies, and with newly designed lights generating 150,000 watts. The result is positively eerie: At a depth where no sunlight at all penetrates, the subs, sometimes working together, are able to light up the area so effectively that we see clearly as we drift above the bones of the great ship.