Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
"The Reivers" is a pleasant, wholesome, straightforward movie of the sort (as they say) they don't make anymore. Once was, Hollywood had the knack of turning out absorbing entertainments that really were family films. By that I mean they neither insulted nor challenged the intelligence of any member of the family.
"The Reivers" is like that. It's a movie that combines two favorite kinds of stories; it's half about a bunch of colorful characters who set out on a journey, and half about a young boy's initiation into adolescence. And often enough, it's a lot of fun. Although it's rated 'M' (for mature audiences), I think it's suitable for kids from about 10 years up.
The story is based on William Faulkner's novel, and tells about a magnificent trip between Jefferson and Memphis, back in 1912, in a kidnapped Winton Flyer. The trip was organized by an adventuresome chauffeur (Steve McQueen), and joined by a 12-year-old (Mitch Vogel) and his Negro second cousin (Rupert Crosse). Along the way, they face hazards of driving, mud, second thoughts and guilt feelings.
Once they get there, Crosse unexpectedly trades the car for a horse, and they find themselves committed to a horse race to win their car back. All the time, of course, there's the threat of retribution from old Boss McCaslin (Will Geer), the patriarchal head of the family and owner, by the way, of the car.