We need more directors willing to take risks with films like Get Out.
"The Man" is another one of those movies, like "Lethal Weapon 2," where the outsider finds himself in the dangerous world of cops and robbers. The cop this time is Derrick Vann, a hard-boiled Detroit ATF agent played by Samuel L. Jackson, and the outsider is Andy Fiddler (Eugene Levy), a dental supplies salesman from Wisconsin. Fiddler loves his product so much he chats up strangers about the glories of flossing.
The plot: Agent Vann's partner, who is on the take, has died in connection with a heist of guns from the ATF lock-room. A crook named Booty (Anthony Mackie) may be the key to the killing. Vann, an honest agent, mistakes Fiddler for an underworld contact working with Booty. When he finds out how very wrong he is, he still needs Fiddler to pretend to be a black-market arms dealer, if the sting is going to work.
Whether the sting and the movie work are two different questions. Jackson and Levy are in full sail as their most familiar character types: Jackson hard as nails, Levy oblivious to the world outside his own blissfully limited existence. They could play these characters in their sleep. Their differences provide the set-up for the whole movie: these two guys linked together in an unlikely partnership during which their personalities (and Fiddler's problems with intestinal gas) will make it difficult for them to share the front seat of Vann's customized Caddy.
"The Man" is very minor. The running time of 79 minutes indicates (a) thin material, and (b) mercy toward the audience, by not stretching it any further than what is already the breaking point. You know a movie like this is stalling for time when it supplies Agent Vann with a family so that his wife can call him in the middle of the action: "Your daughter wants to know if you'll be at her recital tonight." Yes, it's the ancient and sometimes reliable Dad Too Busy for Child's Big Moment formula. Does Vann wrap up the case in time to walk into the room just as the recital is beginning? Do he and his daughter exchange a quiet little nod to show family does, after all, come first? I would not dream of giving away such a plot detail.