We need more directors willing to take risks with films like Get Out.
If "The Lonely Lady" had even a shred of style and humor, it could qualify as the worst movie of the year. Unfortunately, it's not that good. It's a dog-eat-dog world out there in Hollywood and it's not enough to be merely awful. You need something to set yourself apart. Pia Zadora tries, and she has pluck, but she's just not bad enough all by herself.
The movie is bad in all the usual ways, and it would be easy enough to simply list them: The overacting, the use of "voice-over" narration to bridge awkward chasms between scenes, the predictable plot. But why don't we take all of those things for granted and move on to the truly unspeakable things in this movie. We could make a list:
1. I suppose it was necessary to have a scene in which the heroine is cruelly treated by men. But (a) couldn't they have thought of something other than rape by a garden hose?; and (b) shouldn't such a traumatic event have had some effect on the character?
2. After the rape, Pia is seen being comforted in bed by her mother and a doctor. A single thread of stage makeup, representing blood, has trickled out of her mouth and dried. It is left in place for the entire scene, suggesting that at no point did the doctor, her mother, or any other medical personnel or family member care enough to disturb the makeup in order to make the scene realistic by wiping away the blood.