Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
I'm on the brink of declaring a new entry for Ebert's Little Movie Glossary: No comedy not titled "Caddyshack" has ever created a funny joke involving a golf cart. The only thing preventing me is that I can't remember if "Caddyshack" had golf cart jokes. In any event, if there is a golf cart, it will sooner or later drive into a water hazard. The funny angle here is that the filmmakers went to all that trouble because they trusted the audience to laugh.
I stared with glazed eyes at "The Bounty Hunter." Here is a film with no need to exist. Among its sins is the misuse of Jennifer Aniston, who can be and has been very funny, but not in dreck like this. Lacking any degree of character development, it handcuffs her to a plot of exhausted action comedy cliches -- and also to a car door and a bed.
The handcuffer is her former husband Milo (Gerard Butler), a former cop who is now a bounty hunter and draws the assignment of tracking down his ex-wife, who has skipped bail. Have I lost touch, or are bounty hunters routinely deployed to track down criminals accused of no more than a non-fatal traffic violation? Never mind.
Let's do a little mental exercise here, the same sort that the screenplay writer, Sarah Thorp, must have done. Remember the ground rules: The movie must contain only cliches. I used to test this exercise on my film class. I'd give them the genre, and begin sentences ending with an ellipsis. They'd compete to be first to shout out the answer.