Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
If love at first sight is a reality, then in this information age there should also be the possibility of love at first cybercontact.
When people meet via computers or personal ads or phone-in radio shows - when their first sight of each other is through a communications medium - isn't it still possible that some essential chemistry is communicated? That the light in an eye can somehow be implied even over thousands of miles? That's the hope explored in Nora Ephron's "Sleepless in Seattle," an unapologetically romantic movie about two people who fall in love from opposite sides of the continent, through the medium of a radio program. In Baltimore, Meg Ryan plays a woman who is already safely engaged - too safely - to a man whose only fault is that he appears to be allergic to almost everything. Then one night, driving in her car, she tunes in a broadcast as a young boy is appealing to the host for help with his father.
Driving through the night, Ryan listens to the story. The man (Tom Hanks) is called to the phone and we learn that after his wife died he went into a deep depression before finally packing up his son and moving from Chicago to Seattle. He thought a change of scenery might help, but apparently it hasn't.
Something in the man's voice - or maybe something in his soul that is transmitted along with his voice - appeals to Ryan. She can't get this guy out of her mind. Meanwhile, in Seattle, we get to know the Hanks character, who is an awfully nice man but very sad, and his son (Ross Malinger), who hopes his dad will meet the right woman.