The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
Why do I have to watch this movie? Why does anyone? What was the impulse behind this sad, cruel story? Is there, as they say, "an audience for it"? I guess so. The critic "Tex Massacre" at bloodydisgusting.com rates it four skulls out of five, and says, "while gorehounds might not be doing backflips over the blood loss, they should appreciate that director Edward Anderson makes the kills relatively painful and wholly grounded in reality."
I'm not sure if the gorehounds will think there is too much blood loss or too little. Never mind. At least the killings are relatively painful. There's that to be said for it. But I think it's a cop-out to review this movie only as an entry in the horror/slasher genre and not pull back for a larger context. Do images have no qualities other than their technical competence?
"Shuttle" opens with two young women arriving at an almost empty airport at 2 a.m. It's raining. They can't get a cab. A guy in a van says he'll take them downtown for $15. He already has one passenger. Now two young guys also want a ride. Guy says, nothing doing. One girl says, they're with us. Two guys get on board.
Under the driver's window is painted, "No more than three stops." That's strange. Looks like there's room for 16, 20 people in the van. The driver takes them on a strange route into no-man's land, pulls a gun, takes all five passengers hostage. OK, so far we're in standard horror territory.