xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
Just as it stands, "Saints and Soldiers" could have been made in 1948. That is not a bad thing. It has the strengths and the clean lines of a traditional war movie, without high-tech special effects to pump up the noise level. I saw it the same week as the new restoration of Sam Fuller's "The Big Red One" (1980), made by a director who was an infantryman throughout World War II, and was struck by how the two films had similar tone: The No. 1 job of a foot soldier is to keep from getting killed. Doing his duty is a close second.
The film is inspired by actual events. We're told of a massacre of American soldiers at Malmedy, in Belgium, six months after the Normandy invasion; Nazis opened fire on U.S. prisoners and most were killed, but four were able to lose themselves in the surrounding forest. The movie is about their attempt to walk back to the American lines through snow and bitter cold; along the way, they're joined by a British paratrooper who has intelligence about a major Nazi offensive, and they decide they have to get that to the Allies in time to do some good.
These five soldiers are ordinary people; well, the Americans are, although the Brit seems odd to them, and they don't always appreciate his sense of humor. They are tired and hungry all of the time and guard cigarettes like a precious hoard. Unlike the characters in modern war movies, they don't use four-letter words, and we don't miss them. I don't know if that's accurate or not. Certainly in the 1940s that language was much rarer that it is now, but Norman Mailer uses the F-word all through The Naked and the Dead, spelling it "fugg" to get it past the censors.
The movie's hero is quiet and troubled rather than gung-ho. That would be Cpl. Nathan Greer (Corbin Allred), nicknamed "Deacon" because he treasures his Bible and was once a missionary in Berlin. That's where he learned the German that saves them. We assume he's a Mormon, but aren't actually told so. His little group is led by Sgt. Gordon Gunderson (Peter Holden), who shields him from criticism after he freezes at a crucial moment; he's the best sharpshooter in the group, but can he actually kill someone? Steven Gould (Alexander Niver), the medic, is the obligatory soldier from Brooklyn who is required in all World War II movies, and Shirl Kendrick (Lawrence Bagby) is the equally obligatory farm boy from the South. The British pilot, Oberon Winley (Kirby Heyborne), may have seen one David Niven movie too many.
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidenc...
This message came to me from a reader named Peter Svensland. He and a fr...
A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.
One of the most audacious American films from the 1960s is now available via the Criterion Collection.