In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_y7l9rwoqor7inlzqf2xlkv5yx1a

Galia

Originally published on April 7, 1967.Georges Lautner's "Galia" opens and closes with arty shots of the ocean, mother of us all, but in between it's…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Reviews

Rock-A-Doodle

  |  

The animator Don Bluth left Disney in 1979 when he felt the studio's animation division had lost its way. He was quite right at the time. But since then, with titles like "The Little Mermaid" and "Beauty And The Beast" (1991), Disney has found its way again, and now it sometimes seems as if Bluth is wandering.

His titles as an independent animator include "The Secret of NIMH," "The Land Before Time," "An American Tail," "All Dogs Go To Heaven" and now "Rock-a-Doodle." His trademark is a certain freedom of figure drawing; characters look unusual, even bizarre, compared to the more anthropomorphic Disney characters, and until the very latest Disney movies played catch-up, they had more spatial freedom, too.

His "All Dogs Go to Heaven" was also notable for the particular brilliance of its colors; it was dazzling to look at. But one of the disappointments of "Rock-a-Doodle" is a muted color palette. The movie doesn't feel as bright as it should.

The story (awkwardly sandwiched between unnecessary live-action bookends involving a real little boy) is about Chanticleer, a boastful barnyard rooster who confidently believes it is his crowing that makes the sun come up. The Grand Duke of Owl, who lives nearby, is also convinced Chanticleer has that power - and doesn't like it one bit, because he prefers the deep, dark night himself.

One morning Chanticleer fails to crow, and the sun indeed fails to come up. Chanticleer slinks off to the big city in disgrace, and big dark rain clouds hang low over the land, threatening the farm with flooding. The barnyard animals, led by a little kitten that is the embodiment of the "real" boy in the wraparound, get up an expedition to the city, hoping to find Chanticleer. He, in the meantime, has found overnight success as a rock 'n' roll singer named 'The King', with a pompadour that makes him look amazingly like Elvis. Glen Campbell plays the voice of Chanticleer, and others on the soundtrack include Christopher Plummer as the Owl and the ageless Phil Harris as an ancient dog.

The movie has some good songs and some lively animation, but what bothered me was that most of the interaction between characters was on the level of violence. Why do almost all problems in family movies have to be settled through strength and scheming? Is there any other way to create dramatic tension and excitement? "Rock-a-Doodle" is passably entertaining - the younger you are, the more it may absorb you - but as movies like "Beauty And The Beast" (1991) marry animation with musical comedy, it looks a little uninspired.

Popular Blog Posts

“The Breakfast Club”, 30 Years Later: A Conversation Across Generations

A film teacher looks back on "The Breakfast Club," partly through the eyes of her students.

The Melodrama Of Woody Allen’s Critical Reputation

The conversation about Woody Allen's personal and professional lives intertwining continues, but to what end?

Memories of Roger: My Photo Journal from the Last Two Years

A gallery of photos, videos and links illustrating Chaz's journey relating to Roger's legacy in the two years since h...

Now, "Voyager": in praise of the Trekkiest "Trek" of all

As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...

Reveal Comments
comments powered by Disqus