Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
“Mr. Baseball” is another one of those formula sports movies, in which the locale is changed but the recipe stays the same. I was able to anticipate almost everything that happened, as in the predictable hockey movie “The Mighty Ducks,” which also opens today. So why did I like it? Maybe because style is as important as story in a movie like this, and “Mr. Baseball” is not without a certain flair.
The movie stars Tom Selleck, convincing as a heavy-hitting first baseman who is traded to Japan by the New York Yankees. He's not a paragon of virtue. He drinks, chews, smokes cigars, womanizes, and has a bad attitude and a bum knee. Faced with calisthenics on his first day in Japan, he grumbles, “Athletes? We aren't athletes. We're baseball players.” He's the property of the Nagoya Dragons. The team is coached by Uchiyama Ken (Takakura, from "Black Rain") a crusty old-timer who insists Selleck has a hole in his swing. Selleck is not prepared to take advice on this or any other baseball subject from a Japanese, and before long he's in hot water for disobeying orders, losing his temper, getting into fights and insulting the management.
There is, of course, a women. There always is in this formula. Her name is Hiroko (Aya Takanashi), and for once she is not a clone of the stereotyped quasi-geisha; she's an advertising professional who runs the club's enforcements, and makes Selleck appear in commercials he would rather not think about. They fall in love, but because of his ignorance of Japanese ways he is forever committing grave offenses against proper behavior, and she is for ever vowing never to speak to him again.
The other major character is an African-American player named Hammer and played by Dennis Haysbert in the obligatory good buddy role. He gives advice on such matters as taking off one's shoes before entering the clubhouse. Together, Selleck and Haysbert try to instill a fighting spirit into a club that avoids trying to steal extra bases because getting thrown out would be a loss of face.
A piece on the experience gained from seeing bad movies.
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