Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
Billy Wilder's under-appreciated 1978 "Fedora" returns to Cannes to remind us that some things, like the fear of aging among celebrities, never change.
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have also turned a spotlight on America.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

In an opening scene of "Monsieur Lazhar," it's Simon's day to pick up cartons of milk and deliver them to his Montreal fourth-grade classroom before the school day begins. Looking in through the door, he realizes that his teacher has hung herself from a ceiling pipe. Only one other student sees this before the teachers usher all the students back into the playground.
This incident, reported in a Quebec newspaper, is the inspiration for Bachir Lazhar (Fellag) to present himself at the school principal's office and volunteer to teach the class. He is a legal immigrant from Algeria, he explains, where he taught primary school for 19 years. The principal is Mme. Vaillancourt (Danielle Proulx), who like most school administrators these days, is rigid in conforming to the rules. Hiring Monsieur Lazhar is a bit of an excursion for her, but he is a well-spoken, presentable man and makes a good impression.
"Monsieur Lazhar," which begins in the dead of winter, follows his work in the classroom all the way through until summer. During that time, he — and we — get to know the students, who are generally cheerful and well-behaved, and get on well with their new teacher. They are assumed to be traumatized by their teacher's suicide, and a psychologist is assigned to spend closed-door sessions with the class. We, and Monsieur Lazhar, are closed out of these sessions, but Lazhar on his own tells the students some gentle truths and assures them it wasn't their fault.
For this and other transgressions, he is criticized by the principal; to follow the rules, a teacher seems hardly allowed to be human. A student throws a paper ball at a classmate, and Lazhar, standing right there, taps him sharply on the head. This, too, is wrong; teachers are forbidden to touch students in any way. God forbid they would hug one, or pat one on the shoulder. I now realize that when Sister Ambrosina in the first grade at St. Mary's in Champaign snapped us with a strict fingernail it was brutality, although I always knew why I had it coming.
Lazhar has some challenges. French is spoken differently in Algeria and Quebec — and in France too, perhaps. He dictates some Balzac for the students to write down and is informed by them it is "prehistoric." He finds a sympathetic fellow teacher to confide in, and perhaps she also rather likes him.
There is a great deal more to be known about Monsieur Lazhar's personal life, which I won't reveal. It adds an additional dimension to the trauma of the students. Simon in particular blames himself for the suicide; the dead teacher must have known he would bring the milk to class that day, he reasons, and must have known he would find her hanging body. Why else would a teacher choose to hang herself in her schoolroom?
It's a question without an answer. One of the qualities of "Monsieur Lazhar," which was one of this year's Academy Award nominees in the foreign-language film category, is that it has no simple questions and simple answers. Its purpose is to present us with a situation, explore the people involved and show us a man who is dealing with his own deep hurts.
Billy Wilder's under-appreciated 1978 "Fedora" returns to Cannes to remind us that some things, like the fear of agin...
While Cannes's red-carpet crowd toasts the Coen brothers' tuneful "Inside Llewyn Davis," the parallel programs have a...
A day of grim films in which "Borgman" attempts Haneke-like surreal grimness and falls short, "The Missing Picture" a...
Michał Oleszczyk