We need more directors willing to take risks with films like Get Out.
I'm not sure whether Burt Lancaster plays the good guy or the bad guy in "Lawman," but maybe that's the point. He plays a hard, cold, sullen law-and-order type, who sides with justice against mercy at every opportunity, and he causes a lot of unnecessary grief before the movie's over. Still, he's the marshal, and we're supposed to be on his side.
He rides over from the neighboring town one day, to pick up some cowhands who got drunk and shot things up. An old man was killed, probably by accident. And now Lancaster wants to bring the boys back to stand trial. The boys, however, work for Lee J. Cobb, and so does everybody else in town, including the marshal (Robert Ryan). So Lancaster has problems. Most of them are with his personality.
The thing is, see, that even if the cowhands stand trial nothing will happen to them, most likely. Lancaster all but promises they'll get off. He only wants to bring them back because the law is the law. What the judge does is none of his concern. This is an attitude that Lee J. Cobb readily responds to; he's labored long and hard to build up his spread and figures the days of gunfights should be behind him.
So what's the problem? Well, Lancaster and Cobb never meet, until it's too late, and in the meantime Lancaster alienates everyone in town and does nothing to prevent a climate for violence. He doesn't do any of the things a sensible marshal would do; he just talks about the law and provokes confrontations. And at the end, when Main Street is littered with the bodies of the dead and dying, It's almost as if he receives a kind of sadistic satisfaction. He rides away without having accomplished a single positive thing.
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