In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb mv5bnda4ymmwmgity2mzos00odjilthmzdetyza5ngu4zjq5yjhixkeyxkfqcgdeqxvynjk5nda3otk . v1 sy1000 cr0 0 674 1000 al

Geostorm

God knows how many millions of dollars and hours of manpower went into making and remaking Geostorm but it turns out to have been all…

Thumb same kind of different as me

Same Kind of Different as Me

It can be hard to disagree with the heart and events of this true tale, except for when the movie reveals itself to be mighty…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives

Reviews

Kaboom

Kaboom Movie Review
  |  

"Kaboom" exists entirely in and for the moment. It brings some intriguing college students onscreen, watches them have sex with one another and involves them in a plot in which there is not much difference between hallucination and everyday life. It raises only one question: Since the characters devote so much time to it, why don't they seem to care much about sex? It seems more like a pastime for idle hands and genitals.

The movie has been cast, designed, clothed, scored and edited to the bleeding edge of hip, but it hasn't exactly been written. There's some nice dialogue, but sometimes it sounds like lines left over from other screenplays that were too good to throw away. The film's writer-director, Gregg Araki, enjoys material of this sort; his characters only draw the line at heterosexual monogamy. What's curious is that his central character, Smith (Thomas Dek­ker), is filled with sexual yearnings despite the abundance of opportunities at hand.

Advertisement

Smith describes his sexuality as "undecided.” As the film opens, he lusts for his hunky roommate, Thor (Chris Zylka), who reminds me that the generation of kids named after Marvel superheroes must be approaching 30. Thor isn't gay, he just plays gay in his life. His best friend, Stella (Haley Bennett), is a lesbian. Into her life comes Lorelei (Roxane Mesquida), who is a practicing witch — and I don't mean a Wiccan earth goddess, but the kind of witch Aleister Crowley would approve of, with actual wicked powers. Lorelei and the character named the Red-Haired Girl (Nicole LaLiberte) appear in his dreams, even before he meets them. (Note: Nicole LaLiberte might have made a good wife for Rockets Redglare, had they overlapped in life.)

There are many other characters, including a pothead resident adviser and three hostile male figures wearing animal masks. Some of these figures are real, some dreams, some imposters, and then the line blurs and this microcosm of campus sex hobbyists turns out to be linked to the sort of secret global conspiracy that could inspire lots of Dan Brown novels.

None of this matters. If the events in "Kaboom” are anything, they're arbitrary. That helps justify the film's ending, which nobody can claim doesn't tie up all the loose threads. But this movie isn't about beginnings and endings — or middles, for that matter. If anything can happen, does it much matter? You could watch it like you listen to an album, not paying much attention to which cut you're on.

There's one thing that confuses me. "Kaboom” is as indulgent as a film school exercise. I thought Gregg Araki had outgrown messing about like this. His "Mysterious Skin” (2004) was lovingly controlled and mysteriously spellbinding. Now he engages his shallow and narcissistic characters on their level, not his.

Popular Blog Posts

"Blade Runner" vs. "Blade Runner 2049"

A Great Movie is hidden somewhere within "Blade Runner" and "Blade Runner 2049."

The Fall of Toxic Masculinity and the Rise of Feminine Consciousness

A special edition of Thumbnails detailing the recent sexual harassment cases in the entertainment and tech industries...

Oscars Could Be Facing Dearth of Diversity Yet Again

A column on the lack of diversity in this year's potential Oscar nominees.

Tears of a Machine: The Humanity of Luv in "Blade Runner 2049"

No character in “Blade Runner 2049” is more relatably human than Luv.

Reveal Comments
comments powered by Disqus