A consistently intelligent (or at least bright), coherently constructed comedy that is on occasion a rather pointed critique of the American education system in the…
In a district where unemployment and poverty are common, it may not seem like wealth to own a snack shop. But if you own a string of them, you’ve got it made. Ali owns a string. He also owns a beautiful blond wife, whom he acquired by paying off her debts, just like he got the snack shops and a shiny new Mercedes.
Yet Ali is not a happy man. Born in Turkey but raised in East Germany, he moans, “I am in a country where nobody wants me, with a wife I bought.” He needs a friend. Also a driver, after he loses his license for drunk driving. He hires Thomas, who has troubles of his own: He has been dishonorably discharged from the German forces in Afghanistan, his wife has just died, his savings have been stolen in settlement of a gambling debt, he was knocked out in the process, and he is homeless and broke. Sure, he’d like to be Ali’s driver.
This is the setup for Christian Petzold’s “Jerichow,” named for the East German locale. Petzold may ring a bell for you from last year’s weirdly intriguing thriller “Yella,” about a woman on the lam from an abusive husband and hoping to embezzle a fortune in her new job. Yella was played by Nina Hoss, who plays Ali’s wife, Laura, here. She would be sexy if she didn’t have that quality of edgy desperation. Ali (Hilmi Sozer), who looks a little like a Turkish Bob Hoskins, is a very untrusting man, convinced he is being cheated on for an excellent reason: He is.
Thomas (Benno Furmann), who shows in one scene he is very confident with brutal hand-to-hand fighting, is the kind of man Ali is looking for — a collector, enforcer, spy and dependent on Ali. He is also taller than Ali, younger and better-looking, which doesn’t escape Laura’s attention. We can see trouble coming.