We need more directors willing to take risks with films like Get Out.
Dakota Fanning takes an impressive step forward in her career, but that's about the only good thing about "Hounddog." The reigning child star, now 14, handles a painful and complex role with such assurance that she reminds me of Jodie Foster in "Taxi Driver." But her character is surrounded by a swamp of worn-out backwoods Southern cliches that can't be rescued even by the other accomplished actors in the cast.
She plays Lewellen, a barefoot tomboy who lives in a shack with her father (David Morse), a slovenly drunk and self-pitying whiner. Next door is her granny (Piper Laurie), who keeps house well but is a hard-drinking slattern. Lewellen prowls the woods and frequents the swimming hole with her best friend, Buddy (Cody Hanford), as they trade awkward kisses and examine each other's private parts with great curiosity.
The poverty of her family is indicated by the usual marker: rusting trucks in the lawn. Her father operates a tractor, which during a rainstorm is struck by lightning. This hurls him to the ground and makes him even more dramatically loony. He is seized by anxiety that his daughter will abandon him, and one night he walks into the local tavern seeking her, having failed to notice that he is stark naked. The pool players prod him with their cues. Lewellen stalks in and drags him home.
Somehow amid this chaos, the young girl succeeds in being playful and high-spirited, until she is raped by an older teenager. She grows silent and morose, even comatose, and one night is visited by dozens of (imaginary?) snakes, who crawl in through her bedroom window and perform a function, whether demonic or healing, that is understood by her friend and protector Charles (Afemo Omilami), a black man who works in the stables of the local gentry. He brings her back to health and lectures her about making people treat her with respect.