High & Low - John Galliano

I have never been afraid to write a review, let alone give it a rating, but the documentary "High and Low - John Galliano" by Academy Award-winning director Kevin Macdonald took me for a spin. Even after watching "America’s Next Top Model" throughout my entire adolescence, I had not wrapped my head around the fact that the fashion industry can be so wicked. "High and Low" is the story of antisemite, culture-vulture-designer, and recovering alcoholic John Galliano and his boss and enabler, the near-trillionaire Bernard Arnault (CEO LVMH Moët Hennessy Louis Vuitton). The cynicism and moral failings are alarming, presented clearly by director Kevin Macdonald. 

It is a life story of exploitation. John Galliano, a son of a plumber, turned pawn of billionaire Bernard Arnault, is used to further the celebratory narrative of high fashion. Macdonald does not shy away from the harm; he introduces it in the first scene. Galliano states, “I love Hitler,” and then proceeds to with  antisemitic comments to a cafegoer. These incidents by Galliano occur three times in Cafe La Perle in Paris, France. Although he is a bigot and an addict, Galliano receives continuing praise from fashion celebrities such as Naomi Campbell, Edward Enninful, Anna Wintour, the late André Tally and Kate Moss. Enabled throughout a life riddled with alcoholism, his drive was supported by those unaffected by his illness. The documentary ends with Galliano climbing up a flight of stairs, to show that even with his  racist comments and laundry list of other issues, he still made it to the top. Although Galliano has headed artistic direction for brands such as Dior, Givenchy, and now Maison Margiela, it is billionaire Bernaud Arnault who reaped the financial rewards. 

John Galliano seeks forgiveness and top executives search high and low for his comments to be validated and forgiven by SOMEBODY. Whether he gets it or not, it does not matter the heads of the fashion industry because it thrives off of toxic perceptions of the world. Anything and anyone are up for grabs; there is no moral code, except if you are a Black person, like Kanye West, dropped from top labels, considered irredeemable, not excused by his illness. Galliano, however, is excused. Anna Wintour says Galliano’s racist comments are unlike his true character. That is just his alcoholism. Bernard Arnault, who leads both alcohol and fashion empires, is in the business of making alcoholism a mask for inhumanity. Racism, poverty-fodder, cultural theft and the pillage of history are the bacteria in which fashion grows in a petri dish and sells. 

Illustrated and juxtaposed with the 1927 "Napoleon" film by Abel Gance, director Kevin Macdonald captures Galliano as vulnerable and Napoleonic as he recalls his life in the fashion industry. Galliano is described as an escape artist. His story centers on the need to escape his abusive father and then finding fashion. From a suburban British boy to an unstoppable, highly-protected fashion icon found responsible by a court for antisemitic behavior, the story is almost cliche. People deserve protection through illness and growth processes, but what distinguishes celebrities like Kanye West from John Galliano? White superiority complexes fueled by capitalistic and sadistic system heads like Arnault.