In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_sin_city_a_dame_to_kill_for_ver13

Sin City: A Dame to Kill For

"Sin City: A Dame to Kill For" doesn't have the electricity of the original, mainly because we've already seen it. Nothing more is really revealed…

Thumb_pqlny7o714q2rle1gszmorzzjue

To Be Takei

“To Be Takei” is a conventional documentary that has a surprising emotional heft. A fun, informative exploration of the life of actor, activist and Trekkie…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Blog Archives
Other Articles
Channel Archives

Reviews

Funny Girl

  |  

The trouble with "Funny Girl" is almost everything except Barbra Streisand. She is magnificent.

But the film itself is perhaps the ultimate example of the roadshow musical gone overboard. It is over-produced, over-photographed and over-long. The second half drags badly. The supporting characters are generally wooden. And in this movie, believe me, everyone who ain't Barbra Streisand is a supporting character.

That makes the movie itself kind of schizo. It is impossible to praise Miss Streisand too highly; hard to find much to praise about the rest of the film.

She turns out, curiously enough, to be a born movie star. It was her voice that made her famous, and that's fair enough. But it will be her face and her really splendid comic ability that make her a star. She has the best timing since Mae West, and is more fun to watch than anyone since the young Katharine Hepburn.

She doesn't actually sing a song at all; she acts it. She does things with her hands and face that are simply individual; that's the only way to describe them. They haven't been done before. She sings, and you're really happy you're there.

Unfortunately, one gathers Miss Streisand is a rather set-minded lady as well as a star. She wants her way on the set, they say; and Miss Streisand has been heard to claim William Wyler didn't direct her, she directed herself. I doubt that. But someone, Wyler or someone, should have directed the rest of the movie. The sets (Hollywood sound stages mostly) and the supporting roles seem designed merely to backdrop the magnificent Barbra. And in the end, that hurts the movie.

Take Omar Sharif, for example. Until now, he has always been a human being on the screen. He has walked, talked, breathed, moved around. In "Funny Girl," he becomes a cigar-store Indian. There has rarely been a more wooden male performance in a musical. I guess we're supposed to look at Miss Streisand, who is nearly always on the screen, instead.

Well, this is her first film and that is a pleasant task. But it would certainly have been a better musical if more attention had been given to the total effect, and less to Barbra's admittedly great talent. As it is, the more modest "Finian's Rainbow" is better this season as a well-balanced musical.

"Funny Girl" is lopsided; good when Barbra's there, transcendent during her best numbers ("Don't Rain On My Parade," "My Man" and a roller-skating sequence), and curiously flat the rest of the time, as if everyone were waiting until she got back.

Popular Blog Posts

Different rules apply

White privilege, lived.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Ferguson, Missouri: Third World America vs. Atlas Shrugged

An FFC looks at the horrible situation in Ferguson, MO and what it says about where we are and where we're going.

Retrieving the Grail: Robin Williams and "The Fisher King"

An examination and appreciation of one of Robin Williams' greatest films, "The Fisher King."

Reveal Comments
comments powered by Disqus