In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_bye_bye_man

The Bye Bye Man

The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.

Thumb_book_of_love_ver2

The Book of Love

The feature debut of director and co-writer Bill Purple does not feature a single authentic moment. Imperfect would actually be a step up.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Festivals & Awards Archives
Other Articles
Blog Archives

Reviews

Funny Girl

  |  

The trouble with "Funny Girl" is almost everything except Barbra Streisand. She is magnificent.

Advertisement

But the film itself is perhaps the ultimate example of the roadshow musical gone overboard. It is over-produced, over-photographed and over-long. The second half drags badly. The supporting characters are generally wooden. And in this movie, believe me, everyone who ain't Barbra Streisand is a supporting character.

That makes the movie itself kind of schizo. It is impossible to praise Miss Streisand too highly; hard to find much to praise about the rest of the film.

She turns out, curiously enough, to be a born movie star. It was her voice that made her famous, and that's fair enough. But it will be her face and her really splendid comic ability that make her a star. She has the best timing since Mae West, and is more fun to watch than anyone since the young Katharine Hepburn.

Advertisement

She doesn't actually sing a song at all; she acts it. She does things with her hands and face that are simply individual; that's the only way to describe them. They haven't been done before. She sings, and you're really happy you're there.

Unfortunately, one gathers Miss Streisand is a rather set-minded lady as well as a star. She wants her way on the set, they say; and Miss Streisand has been heard to claim William Wyler didn't direct her, she directed herself. I doubt that. But someone, Wyler or someone, should have directed the rest of the movie. The sets (Hollywood sound stages mostly) and the supporting roles seem designed merely to backdrop the magnificent Barbra. And in the end, that hurts the movie.

Take Omar Sharif, for example. Until now, he has always been a human being on the screen. He has walked, talked, breathed, moved around. In "Funny Girl," he becomes a cigar-store Indian. There has rarely been a more wooden male performance in a musical. I guess we're supposed to look at Miss Streisand, who is nearly always on the screen, instead.

Advertisement

Well, this is her first film and that is a pleasant task. But it would certainly have been a better musical if more attention had been given to the total effect, and less to Barbra's admittedly great talent. As it is, the more modest "Finian's Rainbow" is better this season as a well-balanced musical.

"Funny Girl" is lopsided; good when Barbra's there, transcendent during her best numbers ("Don't Rain On My Parade," "My Man" and a roller-skating sequence), and curiously flat the rest of the time, as if everyone were waiting until she got back.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

2017 Golden Globes: Meryl Streep vs. Trumpland

Meryl Streep and other awards recipients shared their thoughts on an America under Donald Trump during last night's G...

Netflix's "A Series of Unfortunate Events" an Unfunny Parody of Sadness

A review of Netflix's new series, Lemony Snicket's "A Series of Unfortunate Events," which premieres January 13.

The Return of Peter Cushing: Another Look at an Underrated Career

A look at highlights from the career of the great Peter Cushing.

Reveal Comments
comments powered by Disqus