In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_sand-storm-poster-2016

Sand Storm

A fairly familiar critique of patriarchy from a humanist and feminist perspective, but one that’s put across with some very impressive filmmaking skills by a…

Thumb_ujj6jeeebtdlbzcjwaoybnyeq8c

Deepwater Horizon

Everything here feels routine—more like an inevitability than a work of art or even a piece of entertainment.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Reviews

Detropia

Detropia Movie Review
  |  

Via beautiful cinematography, the film wanders the city, contrasting a new automaker's towers with abandoned hotels, derelict theaters, ruined houses and people walking through the snow down the middle of streets because there's no traffic. Such shots are intercut with performances by the Michigan Opera Theatre, which clings to life with the support of the Big Three car companies.



The most striking figure is not the hapless Mayor Dave Bing, but a retired teacher named Tommy Stevens, who owns a blues bar named the Raven Lounge. He can no longer afford a cook, so he does the cooking himself ("I enjoy it. It's a hobby."). Stevens visits the auto show and notes that the electric car on display from China is $20,000 — half the price of the Chevy Volt (which, we learn, GM has since moved the make's manufacture to China).

We follow the last days of the local union at American Axle, as the members turn down a contract that would not allow a living wage, and the company closes. The film's co-directors, Heidi Ewing and Rachel Grady, observe that the inner city has seen a modest population growth because of young people taking advantage of bargain rents. We meet one such couple, who assemble a long table in an urban wasteland and sit at it while wearing golden steampunk gas masks. Their goofiness makes a contrast to the bleak cityscape behind them.

Throughout the film, there are glimpses of the golden days, of sleek new models and glamorous car ads. Stevens takes the camera on a long drive past where the main Cadillac plant once thrived. "We built everything," he said. "In the war, they switched over to bombers. Everything." He is driving past a barren landscape.



Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Hooray for Hillary: Commander-in-Chief

An article about Hillary Clinton's historic nomination as the first female presidential candidate and the most qualif...

I'm Dancing as Fast as I Can

An article about dancing for charity and joy in the Dancing With the Giordano Stars on October 6 in Chicago

Reveal Comments
comments powered by Disqus