In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_q3tdy3mosradn6i1kivfp1pjx91

Deep Web

Winter focuses so tightly on the details of his chosen story that he fails to place it in the context of overall issues of internet…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Cannes Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Reviews

Detropia

Detropia Movie Review
  |  

Via beautiful cinematography, the film wanders the city, contrasting a new automaker's towers with abandoned hotels, derelict theaters, ruined houses and people walking through the snow down the middle of streets because there's no traffic. Such shots are intercut with performances by the Michigan Opera Theatre, which clings to life with the support of the Big Three car companies.

The most striking figure is not the hapless Mayor Dave Bing, but a retired teacher named Tommy Stevens, who owns a blues bar named the Raven Lounge. He can no longer afford a cook, so he does the cooking himself ("I enjoy it. It's a hobby."). Stevens visits the auto show and notes that the electric car on display from China is $20,000 — half the price of the Chevy Volt (which, we learn, GM has since moved the make's manufacture to China).

We follow the last days of the local union at American Axle, as the members turn down a contract that would not allow a living wage, and the company closes. The film's co-directors, Heidi Ewing and Rachel Grady, observe that the inner city has seen a modest population growth because of young people taking advantage of bargain rents. We meet one such couple, who assemble a long table in an urban wasteland and sit at it while wearing golden steampunk gas masks. Their goofiness makes a contrast to the bleak cityscape behind them.

Throughout the film, there are glimpses of the golden days, of sleek new models and glamorous car ads. Stevens takes the camera on a long drive past where the main Cadillac plant once thrived. "We built everything," he said. "In the war, they switched over to bombers. Everything." He is driving past a barren landscape.

Popular Blog Posts

Video games can never be art

Having once made the statement above, I have declined all opportunities to ...

Bill Murray, iPhones and Our One-Handed Species

An essay on how technology has rendered us a one-handed species.

Cannes 2015: "Macbeth," "Ice and the Sky"

A final film report from Cannes on two of the last films for 2015: an update of Macbeth and an environmental document...

Mad Max: Day of Wrath

An FFC writes about the use of Giuseppe Verdi's "Dies Irae" in "Mad Max: Fury Road".

Reveal Comments
comments powered by Disqus