Star Trek Into Darkness
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Less a classic "Star Trek" adventure than a Star Trek-flavored action flick, shot in the frenzied, handheld, cut-cut-cut style that’s become Hollywood’s norm, director J.J.…
Families create their own narratives. Stories are passed on from generation to generation, and in this way the past continues to live, but it can…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project. He also discusses the ultimate fate of…
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun's "Grisgris" is a mixed bag. So it goes sometimes at Cannes.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life Itself,” I came from a large family of nine, and I had four brothers and four…
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Ray Harryhausen told us, time and again, the story of how he saw the original "King Kong" (1933) on the big screen when he was…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
Tilda Swinton leads 1,500 people in a dance-along to Barry White's "You're the First, the Last, My Everything" during Roger Ebert's Film Festival in the…

"Casa de Mi Padre" is a cheeky comedy by Will Ferrell and his compadres at "Saturday Night Live" and the website Funny or Die. And when I say "cheeky," it's what you're thinking second. The movie has more butt-groping than anything this side of the Rio Grande. And the other side.
Ferrell and the entire cast perform entirely in Spanish, and Ferrell sings a song that has already gone viral on YouTube. He sounds perfectly fluent to me, but then how would I know? The movie is a jolly send-up of horse operas on Telemundo, which I have never seen, but my lack of qualifications isn't fatal because the movie hopes to do crossover business in addition to its obvious target audience.
What possessed Ferrell to make this satire? My guess is that he got straight A's in Spanish and has spent years asking himself how that will further his career. Another possibility: He's made a lot of genre spoofs and why stop now?
Ferrell stars as Armando, the good-hearted, slow-witted son of a macho rancher (the legendary Pedro Armendariz Jr., who died in 2011). His father fawns on Armando's sleek, successful brother Raul (Diego Luna), who all of his life has gotten everything right that Armando got wrong. So feckless is Armando, indeed, that he has never felt the love of a woman. But when Raul returns home with the ravishing Sonia (Genesis Rodriguez), Armando and Sonia need no more than meet eyes, and the earth trembles with their instinctive passion.
What the old man doesn't suspect is that his ideal son is actually a drug dealer, in cahoots with the dastardly drug lord Onza (Gael Garcia Bernal). Poor innocent Sonia doesn't know this, either, and so it is up to Armando to save Sonia from the two scumbags and restore the honor of the family name.
This is done in a film that quietly kids many of the technical shortcomings of low-rent Westerns, in particular the way they use backdrops and special effects to cover the lack of location shooting. Armando and Sonia, for example, ride side by side in a shot that doesn't show their horses, and the background slides past at a different speed than the horses are apparently galloping.
The movie is only 84 minutes long, including credit cookies, but that is quite long enough. All the same, it's fitfully amusing and I have the sense that Spanish-speaking audiences will like it more than I did, although whether they'll be laughing with it or at it, I cannot say.
James Toback discusses his new documentary, "Seduced and Abandoned," which traces the life of a failed movie project....
Steven Soderbergh's "Behind the Candelabra" disappoints, Claire Denis's "Bastards" baffles, and Mahamat-Saleh Haroun'...
The competition film "A Castle in Italy," a lightweight comedy, seems strangely out of place.
Boos for Takashi Miike's "Shield of Straw," a muddled "Blind Detective" from Johnnie To and Paolo Sorrentino's "The G...