Fast & Furious 6
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
Squarely state-of-the-art, "Fast 6" is not a great action movie. It has all the ingredients, including a cast that flaunts infectious group chemistry, but its…
The latest from Blue Sky Studio ("Ice Age," "Rio") is different from whatever Pixar/Disney or any other big animation outfit happens to be offering this…
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…
When Chaz has gone to Cannes without Roger in the past, she has written about the festival in the form of letters and postcards to…
James Gray's "The Immigrant" maintains a tight focus on the Ellis Island experience, and Mohammad Rasoulof's "Manuscripts Don’t Burn" dramatizes the inside of the cruel…
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
Far Flung Correspondent Seongyong Cho discusses "Kinyarwanda," a powerful look at the genocide in Rwanda.
Roger was a titan in the film community, but he was also a beacon for the seriously disabled.
The destruction of Vulcan, one of the most crucial planets in the "Star Trek" universe, should be at the core of J.J. Abrams’ "Trek" movies.…
Dear Roger,You emailed me the questions to this interview on March 15, 2013. In your March 16th reply to my email, you said: The piece…
From Gerardo Valero in Mexico City
Regarding your review of "For Greater Glory":
The Cristero conflict was mostly swept under the rug and is hardly ever mentioned, (even here in Mexico) but it is a fact. Just to give you an idea how things were in those days, my maternal grandparents were married privately by a priest in a home (had they resorted to a church, they'd have been in serious trouble). Even while my parents grew-up in the 1930-40s, the teaching of religion at schools was prohibited and until recently, priests and nuns were forbidden to wear their garments in public.
Why make the film from a Catholic point of view? Because President Calles' war aimed against the Catholic Church and (basically) no representatives of other religions were deported or attacked. You have to remember that in those days Catholicism represented the religion of an extremely high percentage of Mexicans (high nineties).
I did have some quibbles with the movie, specially how little reaction the boy's mother shows while he is being murdered and how Ruben Blades looks absolutely nothing like Calles (who never wore a goatee) . I also had a hard time listening to these people talking in English while slipping the occasional words in Spanish that Hollywood movies usually love to include (Señor, Señora, Federales, Presidente, and the like) but I understand this had to be done for commercial reasons.
And by the way, a few years ago the Knights of Columbus (from the US) asked my mother-in-law to make a portrait of their members who were murdered during the period and later became saints. Thought I'd share it with you.
Above: "Martires de los Caballeros de Colón." Painting by Martha Orozco in the Museo de los Caballeros de Colón,
New Haven, CT.
Next Article: Watching movies on cellphones Previous Article: In defense of Cinema Studies
Saturday, May 4, was one month to the day that Roger left this earthly plane. In honor of Kentucky Derby weekend I ...
Today the American Pavilion remembered Roger Ebert with a panel and beachfront thumbs-up salute.
When Chaz has gone to Cannes without Roger in the past, she has written about the festival in the form of letters and...
Mother’s Day I awakened to spirited calls from my children and grandchildren. As Roger wrote in his memoir, “Life It...