Freeheld stumbles over too many hurdles to recommend it. The film’s heart is in the right place, but its focus is not.
Although I agree with you that Paul Haggis’ film "Crash" has redeeming social value and tackles the still tenuous if not overt racism in this country, I don’t agree it is a great movie. The actors and the interweaving storyline are on point but the constant barrage of clichéd dialogue accompanied by melodramatic music was almost comical. The scene where Matt Dillon’s character is holding Thandie Newton in his arms while a biblical car fire raged against the sweeping soundtrack hit me over the head so hard I had two pop three Advil.
I really wanted to like the movie based on its concept, actors and positive reviews but I couldn’t get passed its hackneyed urgency. I find a film like "Boyz N the Hood" much more interesting. When the African American police officer hassled Tré on the street. The actors say more with a few resenting glances than the whole operatic two hours of "Crash."
As always, I enjoy your perspective on film and even more so, life. Keep me thinking.
An interview with Michael Shannon on Freeheld, 99 Homes, Boardwalk Empire, and more.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
A letter to Angelina Jolie about the casting of her upcoming take on "Cleopatra."