Like Ficarra and Requa’s 2011 comedy Crazy Stupid Love, Focus begins promisingly and bops along enjoyably for a while, only to run out of steam…
Although I agree with you that Paul Haggis’ film "Crash" has redeeming social value and tackles the still tenuous if not overt racism in this country, I don’t agree it is a great movie. The actors and the interweaving storyline are on point but the constant barrage of clichéd dialogue accompanied by melodramatic music was almost comical. The scene where Matt Dillon’s character is holding Thandie Newton in his arms while a biblical car fire raged against the sweeping soundtrack hit me over the head so hard I had two pop three Advil.
I really wanted to like the movie based on its concept, actors and positive reviews but I couldn’t get passed its hackneyed urgency. I find a film like "Boyz N the Hood" much more interesting. When the African American police officer hassled Tré on the street. The actors say more with a few resenting glances than the whole operatic two hours of "Crash."
As always, I enjoy your perspective on film and even more so, life. Keep me thinking.
This message came to me from a reader named Peter Svensland. He and a fr...
On how Clint Eastwood's "American Sniper" examines evil.
As we mourn Abrams’ macho Star Trek obliteration, it’s a good time to revisit that most Star Trek-ian of accomplishme...
Glenn Kenny comments on awards season, Sean Penn, Neil Patrick Harris, and the actual Oscars.