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Lights Out

Lights Out has been made with a certain degree of style—enough to make you want to see what Sandberg might be capable of with a…

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Star Trek Beyond

The Star Wars-ification of Star Trek continues; better than the others, but still not good enough.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Had to pop three Advil

Although I agree with you that Paul Haggis’ film "Crash" has redeeming social value and tackles the still tenuous if not overt racism in this country, I don’t agree it is a great movie. The actors and the interweaving storyline are on point but the constant barrage of clichéd dialogue accompanied by melodramatic music was almost comical. The scene where Matt Dillon’s character is holding Thandie Newton in his arms while a biblical car fire raged against the sweeping soundtrack hit me over the head so hard I had two pop three Advil.

I really wanted to like the movie based on its concept, actors and positive reviews but I couldn’t get passed its hackneyed urgency. I find a film like "Boyz N the Hood" much more interesting. When the African American police officer hassled Tré on the street. The actors say more with a few resenting glances than the whole operatic two hours of "Crash."

As always, I enjoy your perspective on film and even more so, life. Keep me thinking.

Matt Ragan

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