Freeheld stumbles over too many hurdles to recommend it. The film’s heart is in the right place, but its focus is not.
From: Paul J. Marasa, Galesburg, IL
I just read your Answer Man comments to the would-be reviewer who asked how much of one's politics should enter a review. Your answer is fine; what troubles me is how objective you were. The writer, James Frazer, described himself as a "somewhat politically conservative man" who "hated the film because [he] thought it was smugly left-wing and pompous in the extreme." "Good Night, and Good Luck" was "left-wing" to an "extreme"? Is there anybody left in America who remembers when one didn't have to be a "liberal" to think Joe McCarthy was a venal thug?
Are we so polarized, and so convinced that our values are under siege, that we duck-and-cover with aggressive either-or, for-against absolutes? If recognizing that the McCarthy era was a national embarrassment makes one "left-wing," then "left-wing" must mean "objective."
Elvis Costello was once able to sing, "I used to be disgusted, and now I try to be amused." I wish I could manage the latter.
An interview with Michael Shannon on Freeheld, 99 Homes, Boardwalk Empire, and more.
This message came to me from a reader named Peter Svensland. He and a fr...
A comparison of Frank Costello in The Departed and Whitey Bulger in Black Mass reveals weaknesses in the latter.
Our monthly series digs into the career of Wes Craven and comes out with his 3D 2010 film, "My Soul to Take".