Pride and Prejudice and Zombies
The small, deadpan moments in "Pride and Prejudice and Zombies" have more of an impact than the massive, noisy set pieces.
From: Paul J. Marasa, Galesburg, IL
I just read your Answer Man comments to the would-be reviewer who asked how much of one's politics should enter a review. Your answer is fine; what troubles me is how objective you were. The writer, James Frazer, described himself as a "somewhat politically conservative man" who "hated the film because [he] thought it was smugly left-wing and pompous in the extreme." "Good Night, and Good Luck" was "left-wing" to an "extreme"? Is there anybody left in America who remembers when one didn't have to be a "liberal" to think Joe McCarthy was a venal thug?
Are we so polarized, and so convinced that our values are under siege, that we duck-and-cover with aggressive either-or, for-against absolutes? If recognizing that the McCarthy era was a national embarrassment makes one "left-wing," then "left-wing" must mean "objective."
Elvis Costello was once able to sing, "I used to be disgusted, and now I try to be amused." I wish I could manage the latter.
This message came to me from a reader named Peter Svensland. He and a fr...
The latest Unloved looks back at David Bowie and Julien Temple's 1986 collaboration.
With "The Hateful Eight," Quentin Tarantino betrays the female fans he's until-now supported.
FFC Gerardo Valero considers the flaws within "Star Wars: Episode VII - The Force Awakens."