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The Water Diviner

Russell Crowe's directorial debut, a drama about a man trying to save three sons who disappeared at the battle of Galliipoli, wants to be a…

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The Age of Adaline

Though it's hampered by rather bloodless lead performances, this story of an ageless woman and her two great loves finds its tone in its second…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Interview with David Brown

David Brown came to lunch at Chez Paul carrying a little brown paper bag, but not because he'd brought sandwiches. No, the bag contained a portable tape recorder, and Brown asked if I'd mind if he and Richard Zanuck taped part of the interview. Now THAT'S curious, I thought, since I'm the one who's doing the interview, and all I brought was my Pentel Rolling Marker.

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Interview with John Schlesinger

The kinds of films he likes to make are just the ones the studios are most wary about, John Schlesinger was complaining. And so he spends too much time turning down nice, tidy commercial subjects and trying to get, his latest dreams off the ground. He's made three movies in the last six years, and each one has borne the stamp of his temperament and successfully dealt with unlikely subject matter.

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Pauline Kael: On art & trash, life & lice

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It's a notion that takes some growing used to, but Pauline Kael makes her case persuasively: "Almost every interesting American movie in the past few years has been directed by a Catholic." And then she names the three directors she feels are making the most exciting movies right now: Francis Ford Coppola, an Italian-American; Martin Scorsese, who grew up in New York's Little Italy with a Sicilian background; and, above all, Robert Altman, a German-American Catholic from Kansas City.

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Interview with Vincent Canby

Vincent Canby was born in Barrington and got his first newspaper job in 1948 on the old Chicago Journal of Commerce. In 1951, he left Chicago to take a job with lousy pay at Variety in New York. That job eventually led to his present one - as principal film critic of the New York Times. But in a more abstract way, he sees his move as a small personal example of an American turning of the tide. And that's one theme of his new novel, "Living Quarters," (Knopf, $6.95).

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Chris Burden: The "body artist"

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"'The Volkswagen piece?'" Chris Burden was saying. "Let's see. I was standing on the rear bumper of a VW bug, nailed to the roof of the car through the palms of my hands. The car was inside a garage, and the spectators were outside.

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Interview with Ann-Margret

There are lots of things to ask Ann-Margret about "Tommy," I kept thinking. About being directed by Ken Russell, and about what she thought the meaning of the original rock opera was, and about what Roger Daltrey was like, and . . . somehow I kept drifting back to the baked beans.

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