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If You Don't, I Will

What happens to a marriage once the early ardor cools? That's the central question in this likable drama starring Mathieu Amalric and Emmanuelle Devos as…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Interview with Max J. Rosenberg

A producer of horror films doesn't actually need fangs and little points on his ears, but it would help. He doesn't need to quaff blood at every meal, but...cole slaw? Dishes and dishes of cole slaw? This is a horror movie producer?

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'The only great party is a boy and a girl and a whole cheesecake': An interview with Groucho Marx

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I. Tuesday afternoon at Le Bistro, a restaurant in Beverly HillsBEVERLY HILLS, 1972 -- Groucho Marx was wearing blue jeans, Hush Puppies, a brown sport shirt buttoned at the neck, an ancient tweed sport jacket, a cap and a pepper and salt overcoat. He peered into the gloom of Le Bistro, seeking out familiar faces, while a young lady introduced herself to me. “My name is Erin Fleming. I'm Mr. Marx's secretary."

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Interview with Louis Malle

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It was a night in New York to hover over a bottle of burgundy, one's elbows on the table and talk of human love, of myth, of decency...and incest. They had not all seemed to belong in the same sentence before tonight, but now - well, "Murmur of the Heart" is not an ordinary film. Hardly.

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Interview with Franklin Schaffner

"If we did nothing else, we brought Rasputin into focus" Franklin Schaffner said in a musing sort of voice. "Rasputin wasn't really a mystic. He didn't heal the child through supernatural powers. Perhaps he was simply able to relax the child, and that brought down his temperature. That's my theory . . ."

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Interview Leon Ames

One of my indelible memories from 1950s television is of Leon Ames, on Life with Father, standing in the midst of a family catastrophe and exclaiming, "Oh, no!" Now the trouble with that line is that it doesn't look like much in print. It doesn't sound like much, either, unless you can remember the way Ames delivered it.

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