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Goodbye to Language

Jean-Luc Godard's latest free-form essay film may be, more than anything else, a documentary of a restless mind.

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The Great Invisible

Winner of the SXSW Grand Jury Prize for Documentary, the film is strongest when it focuses on the micro rather than the macro. How the…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Interview with Dalton Trumbo

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Dalton Trumbo's "Johnny Got His Gun" seemed for years to be one of those novels that could never be made into a movie. It took place entirely within the mind of a soldier who was so grievously wounded in World War I that he had only the most tenuous contact with the world. He had no arms, no legs, no sight or hearing, no way to speak.

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Interview with Mort Sahl

I went back to Mister Kelly's the other night to catch Mort Sahl again, and found myself sitting next to a friend who writes for another local newspaper. He was there to do a story on the girl singer - a very good girl singer - who is also there, and when she'd finished singing my friend got up to leave.

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Interview with Gene Wilder

It was just that moment of the evening when you need the lights but you don't quite want to turn them on. There were two big old overstuffed wing chairs facing each other in front of the fireplace, and in one of them Gene Wilder had thrown his leg over the chair's arm and was talking softly and slowly...

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Woody Allen goes 'Bananas'

When the word came through from New York that Woody Allen wanted the Chicago movie critics to see his new movie separately, I figured good old zany Woody Allen was up to his old stuff again. See, the studios have this superstition that critics won't know a comedy is funny unless they see it in a room with at least 500 other people, all laughing their heads off. So they may preview a drama in their screening rooms, but for a comedy you've gotta have a sneak preview in a big theater.

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Interview with Peter Hyams

In the beginning it didn't much matter where you made a movie. The motion picture was a gimmick nobody took very seriously, and the vaudeville houses used them to chase out customers between shows. When the customers started to linger, an industry was born.

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Interview with Joy Bang

TORONTO, Canada - Joy Bang told me to meet her at her place, over at the Strip above a boutique, and when I got there she was being towed along the sidewalk by a large dog named Tai, which meant, she said, "dog" in a language I didn't catch.

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