Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
HOLLYWOOD - It's the kind of place where the food is so organic that you order a salad and the house dressing is peanut butter laced with safflower oil and herbs. The tables surround a shady patio, and the waitress wears a T-shirt and shorts, an attractive combination not lost upon Burt Reynolds. He listens to the description of today's entree (something involving eggs and tomato sauce) as if it were a specialty of selected Moroccan bordellos.
Kris Kristofferson says he's spent most of his life living out of a suitcase, and he looks it. He's wearing faded Levis and a ravaged leather flight jacket that looks ripped off of James Stewart in "Strategic Air Command" -- and this is his uniform, you understand, for a meeting with Barbra Streisand. He's just come from Barbra. She wanted to talk to him about starring with her in a remake of "A Star Is Born."
HOLLYWOOD - John Huston has come up for the day from Puerto Vallarta, the sleepy little Mexican beach town he converted into a tourist industry by filming "Night of the Iguana" there. He plans to speak with his agent and his business manager; a major Huston film is scheduled for Christmas release, and there are the Huston finances to be scrutinized and new projects to be considered. At 69, he is tall and courtly and exudes a personal charisma that I've rarely felt before; there seem to be special rewards in being John Huston.
"I'm really a director now," Maximilian Schell was saying. "That's how I've thought of myself for the last few years. It's just that once in a long while a role comes along that I simply can't turn down. This was a role like that - how could I say no to it?"
Film House in Stockholm - The lunch break always comes precisely at noon, as if Ingmar Bergman has a built-in timepiece, one of those clocks that are always ticking away in his movies. The director retires to his tiny cell across from the sound stage to eat fresh fruit and think about the afternoon's filming.
HOLLYWOOD - Warren Beatty in sunglasses and a Mercedes sports convertible provides a presence that is not a million miles removed from the image of George, the libidinous hairdresser he plays in "Shampoo." And that is perhaps part of the reason for the film's enormous success (it is now being projected as one of the 20 top-grossing movies of all time, and in the Chicago area alone has played to more than half a million people). Beatty the person has inflamed the imaginations of the readers of movie fan magazines for so long that Beatty the actor can bring a conviction to George's desperate bedroom escapades that few other actors could approach without unseemly narcissism.
David Brown came to lunch at Chez Paul carrying a little brown paper bag, but not because he'd brought sandwiches. No, the bag contained a portable tape recorder, and Brown asked if I'd mind if he and Richard Zanuck taped part of the interview. Now THAT'S curious, I thought, since I'm the one who's doing the interview, and all I brought was my Pentel Rolling Marker.
HOLLYWOOD - The way Bruce Dern tells the story, Alfred Hitchcock looked him up and down, paused, sighed, and said: "Who would ever have believed after all these years that YOU would be my leading man?"
HOLLYWOOD - Robert Mitchum is wearing this...tie. It features bold horizontal stripes of green and glittering gold. "Look at the damn thing, will ya?" he says. It is like no tie anyone has ever seen before, and the tag on its back says Space Delicious.
HOLLYWOOD - There is a new Hollywood and an old Hollywood, but always there is the timeless Hollywood that murmurs in the sequestered Polo Lounge of the Beverly Hills Hotel.