A look at the complexity of domestic violence, especially when it comes to the difficulty of prosecuting abusers in a court of law, "Private Violence"…
Rod McKuen was in Chicago to plug the record album for Walt Disney's "Scandalous John," for which he wrote the score.
It's a crazy business," John Frankenheimer said. "It's gotten to the point where all they want to know is how much money your last movie made. A body of work doesn't count anymore..."
When the word came through from New York that Woody Allen wanted the Chicago movie critics to see his new movie separately, I figured good old zany Woody Allen was up to his old stuff again. See, the studios have this superstition that critics won't know a comedy is funny unless they see it in a room with at least 500 other people, all laughing their heads off. So they may preview a drama in their screening rooms, but for a comedy you've gotta have a sneak preview in a big theater.
In the beginning it didn't much matter where you made a movie. The motion picture was a gimmick nobody took very seriously, and the vaudeville houses used them to chase out customers between shows. When the customers started to linger, an industry was born.
TORONTO, Canada - Joy Bang told me to meet her at her place, over at the Strip above a boutique, and when I got there she was being towed along the sidewalk by a large dog named Tai, which meant, she said, "dog" in a language I didn't catch.
This is a memory of the summer of 1969 from the location of "Waterloo," now at the Roosevelt.
STOCKHOLM, Sweden - The premiere of Jan Troell's "The Emigrants" was held in the Roda Kvarn, a cozy little jewelbox of a theater that was built in 1915, when Swedish silent films were finding an international audience. But Troell's film wasn't merely post-silent; it was post-Bergman, post-sex, post- the image of Swedish films in the 1960s.
"Oh, what a funny thing happened this afternoon," Melina Mercouri said, curling her feet beneath her and her voice around me. "A man came to interview me from the newspaper and I said, let me make you feel at home. What can 1 do for you? And he said, Peel me a grape. I peeled a grape and I fed it to him." She smiled wickedly. "A little bit at a time. Now I ask what can I do for you?"
James Wong Howe settled himself into a swivel chair on the stage of the Carnegie Theater, looked around, and asked it they could turn the house lights up. That's Jimmy Howe for you: Before you shoot a scene, you light it first.
"A water bed?" Robert Mitchum said. "What would that be? A bed filled with water?"