The Water Diviner
Russell Crowe's directorial debut, a drama about a man trying to save three sons who disappeared at the battle of Galliipoli, wants to be a…
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
This man directs such gentle films to be an artist from the evil axis.
"The Fortune Cookie" (1966)
TORONTO--"You wanna know what the difference is between a comic and a comedian?" Milton Berle was asking.
I approach this annual task with a sense of foreboding. The 2002 Oscar race rests on shifting sands. There are scarcely even any absolute front-runners, unless it is Jennifer Connolly as best supporting actress. I am sure of one category, then another. Then I change my mind.
I told Halle Berry this story.
PARK CITY, Utah -- "Personal Velocity," a film by Rebecca Miller telling the separate stories of three women, won the Grand Jury Prize for best feature film here Saturday night at the Sundance Film Festival.
PARK CITY, Utah--From despair to victory, the South African documentary "Amandla!" has the widest range of emotion of any film at this year's Sundance. It follows the history of the struggle for freedom in terms of the movement's music--which was, as one singer observes, a weapon the apartheid government could not disarm.
PARK CITY, Utah--The man in the audience was angry. "How could you," he asked the director, his voice trembling with sincerity, "despite your talented cast and great production values, make such a bleak, negative, amoral film? What kind of a portrait is this of Asian Americans? Don't you have a responsibility to paint a more positive and helpful portrait of your community?"
PARK CITY, Utah--Good films but no great films. As the Sundance Film Festival heads into its final weekend, last year's exhilaration fades into a kind of contentment: We've enjoyed ourselves, we've seen films of originality and quality, but where is this year's equivalent of "Memento"? "The Deep End"? "In the Bedroom"? "Waking Life"?
PARK CITY, Utah -- "The Laramie Project," the opening-night film at Sundance this year, was an HBO made-for-cable movie. So is "Hysterical Blindness," Mira Nair's new film starring Uma Thurman and Gena Rowlands.