Into the Grizzly Maze
Into the Grizzly Maze is so grating in its retrograde chest-thumping that it might as well be sponsored by so-called Men's Rights activists.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Does her smile light up a room, or what?
Joey Lauren Adams Remembers Joey Lauren Adams Movies from Joey Lauren Adams
I was so surprised to find this on You Tube. I hosted several segments of the "Focus on Britain" series in the 1980s. It was produced by the British Tourist Authority. I haven't seen this in more than 25 years.
...and then, a month later, this turned up! It was found by my reader David Wenk. I'd never seen it. I take the reader on the route traced by my book The Perfect London Walk. With an introduction by Sir MIchael Caine, no less. When David found this and told me about it, it had less than 100 hits, perhaps because the title didn't tempt Google.
Above: My self-portrait while walking from Cambridge to Grantchester. Below: My point of view in a London cab.
Timelapse video by Jeff Desom, on Press Play via Indiewire. Click here for more information. Thanks for the link to Michael Mirasol. Here is my Great Movies review of the film.
My Far-Flung Correspondent Michael Mirasol has set a new record in far-flinging himself. He writes: "This is a little mashup I wanted to see with Bud Luckey's immortal Sesame Street song meeting Robert Zemeckis's opening scene in CONTACT."
Part of the "This Must Be the Place" series of The Atlantic. URL leads to all entries in the series. Thanks to Jana J.Monji, who writes me: "I used to live in a loft space from a former factory but that was in Pasadena and not Detroit (and my place was a bit neater) than this."
The painting at the top is by Jacopo Bassano (1510-1592).
Thanks for the link to Michael Jones.
"Hey, Boo: Harper Lee & To Kill a Mockingbird" (82 minutes) premieres on the PBS series "American Masters" on Monday, April 2nd, at 10 p.m. (check local listings). The film is also available on-demand via Netflix and iTunes.
by Jeff Shannon
To Kill a Mockingbird was published on July 11th, 1960, and Harper Lee's first and only novel has been a publishing phenomenon ever since. Although its first printing by the venerable publishing house of J.B. Lippincott was a mere 5,000 copies, it was an immediate bestseller, and has consistently sold a million copies a year for over 50 years. It was a shoo-in for the Pulitzer Prize, and is frequently cited as the second-most beloved book of all time, after the Holy Bible. Some British librarians went a step further: In a 2006 poll, they ranked Mockingbird at the top, above the Bible, in a list of books "every adult should read before they die." Despite some early objections to its use of racial epithets (specifically the "N-word"), the novel has been required, if sometimes controversial, classroom reading for decades.
With its potent themes of racial injustice, inequality, courage, compassion and lost innocence in the noxiously segregated American South, Lee's novel preceded and fueled the civil rights movement that erupted in its wake. I don't think it's an exaggeration to say that To Kill a Mockingbird is the most influential novel of the 20th century, considered by many to be America's national novel. The equally beloved, Oscar-winning 1962 film version -- famously adapted by Horton Foote and directed by Robert Mulligan -- was immediately embraced as an enduring classic worthy of its source material.
PBS's "American Masters" presents "Margaret Mitchell: American Rebel" and "Harper Lee: Hey, Boo," back-to-back documentaries about two white American women who won Pulitzer Prizes for their first and only best-selling novels, Monday, April 2 beginning at 9 p.m. (Check local listings.) Both will be available via PBS On Demand and are currently on DVD.
If you're hoping for the whirling of petticoats, a colorful Virginia reel and the coquettish fluttering of lashes on the old plantation, you might be surprised by American Master's "Margaret Mitchell: American Rebel." By rebel, director Pamela Roberts doesn't just mean Johnny Reb. On the other hand, if you hope that the author of Gone With the Wind is burning in hell for conjuring up a romantic fantasy of slavery and antebellum plantation life, you might be surprised. Mitchell was a wild young woman who did some shocking dances in her day, but eventually settled down and did good in ways that benefited the citizens of her hometown Atlanta and beyond.
What could be rebellious about a woman who romanticized a plantation lifestyle in which women were raised to be pretty ornaments and good wives in her 1936 novel of the Old South, "a civilization gone with the wind..."? Today, millions of women still live out their Scarlett O'Hara fantasies at their weddings with hoop-skirted bridal gowns, and through Civil War or Southern ball re-enactments. Not so many line up to portray slaves. The documentary uses many clips from the blockbuster 1939 movie, contrasted with photographs of Mitchell in her own wild youth. Even as one might enjoy the sweeping romance of the motion picture epic and attempt to ignore the racism, I suspect most people are more politically sympathetic with Alice Randall's 2001 parody The Wind Done Gone, which re-imagined Mitchell's story from the slaves' point of view.
"Redline" is available on demand via Vudu.com and Amazon Instant Video. It is also on DVD/Blu-ray.
There are nights when I love nothing better than dressing up in a T-shirt, my saddle shoes and a poodle skirt like a high school teen from "American Graffiti" and get ready for some East Coast swing. If I could ride in a cherry retro car, that would just make my night perfect. You'd think that the anime "Redline," with its young Elvis-like rebel protagonist who flaunts his need for speed, would suit me just fine. My husband likes women in short skirts like the racetrack babes and bimbos of "Redline," so this anime should have offered something for both of us. Yet we found this futuristic racing anime a hyperactive snore. I'm not saying that 44-year-old director Takeshi Koike is musty, but the characters are dead on arrival and the techno soundtrack during the action sequences made us want to flee their funeral.