X-Men: Apocalypse is a confused, bloated, mess of a film.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Our Far-Flung Correspondents are cinephiles from all over the world, hand-picked by Roger Ebert to write about movies from their unique international perspectives. They include contributors from (alphabetically) Brazil, Canada, Egypt, Great Britain, India, Mexico, the Philippines, South Korea, Turkey and the U.S. They converge every year at Ebertfest.
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
FFC Seongyong Cho looks at Ebertfest 2013 film "In the Family" from Patrick Wang.
Clever, fun, twisted, and wildly entertaining in the way that fans of not just "Fargo" but all of the Coens’ work hoped it would be.
The evolution of video games; Looking back at Christopher Evan Welch; Tina Fey and Amy Poehler team upl No more expert reviews; Info on Inherent Vice.
The director of "Sexy Beast" and "Birth" talks about his new film "Under the Skin".
How healthcare handles bipolar disorders; Examining the films of Jonathan Glazer; Movie of the week at The Dissolve is Clueless; Reevaluating William Friedkin's Sorcerer; Wes Anderson directed commercials.
David Gordon Green and Tye Sheridan, director and star of "Joe", speak about their new, acclaimed drama.
Directors John Maloof and Charlie Siskel and producer Jeff Garlin discuss their documentary "Finding Vivian Maier".
Superhero movies; A personal story about a man's uncle; Under the Skin and feminism; Barbara Walters sets retirement date; Mickey Rooney leaves us.
Introducing our Streaming Consume Guide, with picks from the work of On Demand, Netflix and more.
Tilda Swinton, interviewed; The story behind "Boy With Appple"; Analyzing how rape is depicted in television; "Poptimism" and music criticism; Thoughtful reflections on Roger Ebert.