Deadpool is a fun character, but he’s still in search of a fun movie to match his larger-than-life personality.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
"Life Itself," based on Roger Ebert's memoir and directed by Steve James, will open in theaters and be available On Demand on July 4, 2014.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
A collection of tributes to Roger from various sources.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Bollywood star Ranbir Kapoor talks about growing up in a famous acting family, the growing audience for Indian cinema in the United States and his latest film, "Besharam."
In the final installment of his video essay series, Dave Bunting analyzes the visual style of the second half of the final season of "Breaking Bad." Scott Eric Kaufman provides a written commentary.
Ten of the oddest baseball movies ever, just in time for the playoffs.
How social media turn teens into "friends without benefits"; A.O. Scott suggests some reasons why the centuries-old "conversation about race" keeps surprising everyone and not really leading where it should; Bruce Dern gets the best part of his 77-year life.
"Breaking Bad" ends with closure, sort of; "Muscle Shoals" and the GOP's queasy quest for purity; Eddie Izard was the victim of hate crimes in both London and New York; more "Chucky" for Jennifer Tilly; "dinotoys" in space.
In this excerpt from the book "Superheroes!: " Laurence Maslon and Michael Kantor discuss the transformation of comic books that started with new creators in the 1970s and led to Hollywood blockbusters.
Ian Grey reviews a screening of "2001: A Space Odyssey" with a live symphony orchestra providing the score.
A lost John Lennon interview; Goodreads' growing pains; 41 books a sexist professor should read; breaking down the visual composition of "Breaking Bad"; a letter from Steve Albini to Nirvana.
Film Journalist Katherine Tulich interviews "Rush" director Ron Howard and the film's stars, Chris Hemsworth and Daniel Brühl.
Popular Science shuts off its comments; a letter to Grand Theft Auto's progagonist Niko Bellic; why "Man of Steel" co-writer doesn't buy into a no-kill policy for Superman; a new theater resurrects lost musicals; odd habits of famous writers.