"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.
The Cannes International Film Festival is the most talked-about film festival of the year, where directors from around the world showcase their newest work, from the most challenging art cinema to the big blockbusters. For many years, Roger Ebert and a team of contributors have covered Cannes, and we are continuing that tradition with start-to-finish coverage from around the festival.
More moviegoers see films on video in some form than ever before -- whether streaming on demand, cable or satellite, instant download services, DVD or Blu-ray. Even high-profile pictures become available to home viewers before or at the same time as their theatrical release. Reviewing them is a job for... The Demanders!
Since he started as film critic for the Chicago Sun-Times in 1967, and began covering movies locally and at international film festivals, Roger Ebert has met and interviewed countless movie idols, artists and unknowns -- some of them even before they became famous. There's hardly a major figure in the history of movies, from the last part of the 20th century into the 21st, that he hasn't encountered.
The opening shot of a movie can tell us a lot about how to view and interpret what follows. It can even represent the whole movie in miniature. The Opening Shots Project collects illustrated analyses of some of Jim Emerson's favorites, and contributions from Scanners readers.
Roger Ebert has attended international film festivals and events for almost half a century, from the Kolkata International Film Festival to the Academy Awards. In addition to his coverage, our contributors report the latest from Cannes, Telluride, Toronto, Sundance and other movie showcases world-wide.
The place for everything that doesn't have a home elsewhere on RogerEbert.com, this is a collection of thoughts, ideas, snippets, and other fun things that Roger and others posted over the years.
A collection of tributes to Roger from various sources.
CANNES, France — Tommy Lee Jones walked away from the 58th Cannes Film Festival here Saturday night as a double winner, after his film “The Three Burials of Melquiades Estrada” won him the award as best actor, and the screenplay by Guillermo Arriaga also was honored. The movie stars Jones as a Texas cowboy who kidnaps the border patrolman (Barry Pepper) who has murdered his Mexican friend and forces him on a long journey to rebury the corpse in the man's hometown.
Roger Ebert has covered the Cannes Film Festival since 1972 -- and, in recent years, his digital camera has come along for the wild ride. See Ebert's take on some of the biggest stars and brightest names in international cinema in these photo galleries. Bill Murray, Morgan Freeman, Sarah Polley, Sam Shepard, Wim Wenders, Woody Allen, Scarlett Johansson, George Lucas, Kevin Bacon -- they're all here, and more, together and separately in these Ebert's-eye-view photos.
CANNES, France -- In this festival of smooth, mannered style, what a jolt to encounter "The Three Burials of Melquiades Estrada," directed by Tommy Lee Jones. Here is a film as direct as a haymaker, a morality play where you don't need a dictionary.
CANNES, France -- Although "Star Wars: Episode III -- Revenge of the Sith" was wall-to-wall action, some of the best films at Cannes this year have been very, very quiet.
CANNES, France -- Regulars are beginning to murmur cautiously that this may be one of the best Cannes Film Festivals in recent years. Even Lars von Trier's sequel to "Dogville" is a success. One strong film has followed another, and every day the buzz about possible festival winners gets revised.
CANNES, France -- Because the party was being given for Atom Egoyan and because he has made a terrific new film and is a nice guy, I went to it. People have been known to shed blood to attend the parties every night in the beachfront restaurants, but I would pay good money to get out of most of them. The parties are always the same: Too many people, too much smoke, not enough food, music to rupture your eardrums and weird lights in your eyes. The caterers here must have trained on "The Manchurian Candidate." I've never been able to understand why hosts allow music so loud they have to go out on the beach and talk to their guests on cell phones.
CANNES, France -- The Force was with us Sunday at the Cannes Film Festival. So was the Queen. The Queen Mary 2 anchored Saturday in the Cannes harbor, making the yachts of the millionaires look like bathtub toys. Sunday we were piped aboard to celebrate the Cannes premiere of "Star Wars," and George Lucas was presented with the Medal of the Festival.
Check back for Roger Ebert's dispatches from the 58th Festival de Cannes, May 11 - 22, 2005.
CANNES, France – If you’re going to make a movie about a rock star who drifts into drugged oblivion and death, you basically have two choices. You could make one of those lurid biopics filled with flashbacks to a tortured childhood and lots of concert scenes and sex, while the star savors success before it destroys him.
CANNES, France – Woody Allen is back. He hasn’t exactly been away, but not many of his recent films have stirred up the kind of excitement inspired here Thursday by “Match Point,” which is a thriller involving tennis, shotguns and adultery.