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Nightcrawler

A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.

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Horns

There are some clever ideas in the script from Keith Bunin, based on the novel by Joe Hill, but they get mixed up in some…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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TIFF #9: And so then I saw...

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I always try to find at least one film at Toronto that's way off the beaten track. I rarely stray further afield than I did Tuesday night, when I found myself watching "Wake in Fright," a film made in Australia in 1971 and almost lost forever. It's not dated. It is powerful, genuinely shocking, and rather amazing. It comes billed as a "horror film," and contains a great deal of horror, but all of the horror is human and brutally realistic.

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TIFF #7: It was a very good day

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I saw three new movies on Monday. Each one could have been the best film of the day. I can't choose among them, so alphabetically: Werner Herzog's "Bad Lieutenant: Port of Call, New Orleans," Atom Egoyan's "Chloe" and Rodrigo Garcia's "Mother and Child." A story involving a cop uncontrollably strung out on drugs. A story involving a wife who meets a hooker. A story about three woman whose lives are shaped by the realities of adoption. Three considerable filmmakers. Three different tones. Three stories that improvise on genres instead of following them. Three titles that made me wonder, why can't every day be like this?

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A girl named Precious goes from nobody to the toast of Toronto

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TORONTO -- It was a hit last January at Sundance, and now the intensely emotional indie drama "Precious: Based on the Novel Push by Sapphire" is gathering more applause at the Toronto film festival. Here to support it are two of the biggest names in media, Oprah Winfrey and Tyler Perry. Both actually signed on as executive producers after seeing the completed film.

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TIFF #8: The protest: A change of mind

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I'm writing this the day after first posting this entry. I now regret it. The point I make about artists is perfectly valid but I realize I wasn't prepared with enough facts about the events leading up to the Festival's decision to showcase Tel Aviv in the City-to-City section. I thought of it as an innocent goodwill gesture, but now realize it was part of a deliberate plan to "re-brand" Israel in Toronto, as a pilot for a larger such program. The Festival should never have agreed to be used like this. It was naive for the plan's supporters to believe it would have the effect they hoped for. The original entry remains below. The first 50 or so comments were posted before these regrets.

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TIFF #2: "Antichrist" redux

Lars Von Trier's "Antichrist" is poised to detonate at the Toronto Film Festival. This willfully controversial director will inspire, as he often does, a storm of controversy, debate, critics clamoring to get into advance screenings that are already jammed, and a contentious press conference. Of the 400 or so films at TIFF this year, "Antichrist" was the first that sold out in advance. It was the same last May at Cannes, and that was before it has even been seen.

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