American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
It was a year when more movies opened than during any other year in memory. A year when the big Hollywood studios cast their lot with franchises, formulas, sequels, and movies marketed for narrow demographic groups--focusing so much on "product" instead of original work that they seemed likely to be shut out of the Oscars, as they were essentially shut out of the Golden Globes. A year when independent and foreign films showed extraordinary vitality. A wonderful year, that is, for moviegoers who chose carefully, and a mediocre year for those took their chances at the multiplex.
TORONTO -- A film turned down by the Cannes festival has won the AGF People's Choice Award at 26th annual Toronto Film Festival, which concluded Sunday.
TORONTO--Through the cloud of sadness which has enveloped the Toronto Film Festival since Tuesday, a few films have shone like beacons.
The jury stunned but did not displease a black-tie audience here Sunday night, with the awards for the 54th Cannes Film Festival. It's not that the winners were unpopular, but that they were unexpected. Everyone predicted Nanni Moretti's "The Son's Room," the story of an Italian family devastated by the death of a son, would win something but not the Palme d'Or, or top prize. Everyone expected French legend Isabelle Huppert to win as best actress for her searing performance in "The Piano Teacher," and she did -- but not that the film also would win for best actor and take home the special jury prize.